We’re talking about SparkNotes, Cliff’s Notes, York Notes, and all such similar shortcuts used by lazy and/or desperate and/or insecure students.
Inspired partly by an online discussion among IB English teachers and partly by my own students, I’ve added a page to my English A1 class blog that makes things as clear as I can make them. It begins like this:
Study guides WON’T HELP YOU! In fact they will harm you, in several ways:
1. They often are inaccurate and of poor quality.
2. They prevent you from thinking for yourself.
3. They encourage you to think – wrongly – that the goal is to discover THE ANSWER or THE MEANING and then regurgitate it on an exam.
The rest of the page is here.
[An open letter to my fellow English teachers near and far.]
Thought flows in terms of stories – stories about events, stories about people, and stories about intentions and achievements. The best teachers are the best story tellers. We learn in the form of stories.
—Frank Smith, Canadian psycholinguist
Dear Colleagues,
As the IBO prepares to join the crowd swimming downstream and dilute its English A1 course by splitting it into two ‘options’, one for Language and the other for Literature*, the Wiser Voice in my head says to me, “It’s over. Just shut up.”
But of course I won’t.
Humans are the only animals that tell stories. The most important stories we tell delve into the most profound questions about our existence, the questions at the heart of life and learning: Who are we? Where are we? What are we doing, and what should we be doing?
We do not, contrary to the inane compartmentalizations of The School, tell stories only in English class. Religious beliefs consist of a series of interconnected stories: how the world was created, who created it, for what purpose, why we suffer, how we should live, etc. History (another core subject that has been devalued by the utilitarians and dethroned in the curriculum by “social studies”) is collective storytelling. Scientific theories are, at their core, stories explaining how things work. Even mathematics is based on certain ‘stories’ that assume, for example, that space is three-dimensional and parallel lines don’t meet.
We think in metaphors, and metaphors are nothing but little stories, or the germs of stories, or comparisons rooted in a certain story about how things are. This, we say, is like that.
Drawing on philosophy and linguistics, cognitive scientists have begun to see the basic metaphors that we use all the time not just as turns of phrase, but as keys to the structure of thought. By taking these everyday metaphors as literally as possible, psychologists are upending traditional ideas of how we learn, reason, and make sense of the world around us.
(“Thinking Literally” http://www.boston.com/bostonglobe/ideas/articles/2009/09/27/thinking_literally/).
It is virtually impossible to think without using metaphors, and thus storytelling is at the very heart of how we understand the world and ourselves. Any curriculum that makes the study of history and literature into ‘options’ fails utterly to understand how human beings live, think, and learn. If students do not become adept readers of stories, how can they ever hope to critically analyze and respond to the stories that will be thrown at them all their lives by politicians, by governments, by marketers, not to mention friends, family members, and perfect strangers?
We should keep the study of stories at the heart of education, and we should keep the most important stories at the heart of our curriculum. As Goethe wrote,
Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day.
How can one possibly give an account of the last 3,000 years without knowing history and literature? When I began teaching nearly thirty years ago, students in my high school whose skills were poor were shunted off into courses with titles like “Writers’ Workshop”. These students were not taught Shakespeare, because it they were thought to be incapable of understanding Shakespeare. I argued then that this was a terrible policy. One can teach Shakespeare in a variety of ways. His original audiences, after all, included large numbers of illiterates. To exclude students from the study of Shakespeare is to commit a kind of cultural apartheid. The bizarre twists and turns of American ‘culture wars’, in which the multiculturalists go to battle against the misogynistic, Eurocentric ‘canon’, should not be allowed to infect our thinking and distract us from our essential task. The culture that we have inherited from our ancestors belongs to all of us, and it is immoral, in my view, to say to a student, “You are not good enough to be part of our cultural inheritance.” It is tantamount to saying to them, “You are not good enough to be considered fully human.” It is our duty as teachers to educate children, and that does not mean simply teaching them to “decode” language and numbers. It means transmitting to them our common cultural inheritance. One cannot be considered an educated person otherwise.
This duty weighs even more heavily on secondary teachers than it used to, because colleges and universities have, with a few noble exceptions, largely abandoned any effort to provide a liberal education to their students. If a student doesn’t read Homer, Shakespeare, and Dickens in high school, it is quite likely she never will.
I earnestly hope that whatever new dispensation arrives from whichever curricular source, we will hold firmly to the conviction that the study of storytelling is at the core of any good education and must not be marginalized. All students should study history and literature, every year, and any curricular options should be considered only as additions, not as substitutes, for those core subjects. In the upcoming revision to the IB Language A1 offerings, if we have a choice, we should choose not to offer the Language option. If we must offer it, we should vigorously advise students to choose Literature, not Language. And if, as I understand is the case with the new IB Language A course, we have a choice of including more literature or less**, we should include as much as possible.
Notes, Clarifications, Corrections
*The two options are actually (a) Literature, and (b) a course that is half Literature and half Language.
**I am now not sure this is the case.
Pete Kittle, who was a student of mine in the early part of my career, has written a beautiful piece concerning the death of his father which I hope you will take a few moments to read.
Sue Waters has a good post outlining her recent presentation on educational blogging. Teachers—especially those who are new to blogging, or interested—should have a look.
William M. Chace, professor of English and former president of two U.S. universities, tells the sad tale in The American Scholar.
University students who major in business are so misguided: every intelligent and successful businessman or -woman will tell you that a broad knowledge of literature, history, science, people, and the world—in other words, a liberal arts education—is the best preparation for a business career. At the same time, most U.S. colleges and universities have simply given up on the liberal arts.
The only secure bastion of liberal arts education that I know of is St. John’s College, with campuses in Annapolis, Maryland and Santa Fe, New Mexico.
Everyone who teaches Anne Frank’s Diary of a Young Girl will be interested in Leonard Lopate’s interview of Francine Prose, whose new book is Anne Frank: The Book, the Life, the Afterlife, in which she argues that the diary was not simply a diary, but a heavily revised work of literature that Anne hoped to publish after the war.
To listen, go to the show archives for WNYC’s ‘Leonard Lopate Show’ and scroll down to October 1, 2009. Or you can download the podcast from my public folder. The path is Podcasts / English Podcasts / Interviews with Authors / Francine Prose on Anne Frank.
A query on Twitter caught my eye this morning:
#MYP DP Theory of Knowledge … where is it in the MYP? Is it missing? Is it necessary? [from @krea_frobro747]
I replied, “ATL should be taught as a weekly or biweekly pre-TOK class.”
TOK is a great course, and the concept behind it is compelling, but its implementation in most schools falls far short. Typically, only a handful of teachers teach TOK or know anything about it. Its weighting in the IBDP grading system contributes to this marginalization, which belies the original vision of TOK at the heart of the program, the hub of the wheel connected by spokes to all the subject areas. I’ve long argued that the course should be taught by pairs of teachers, one more experienced, and that every teacher should rotate through a TOK teaching assignment. Then TOK would truly permeate the program, as it was intended to do.
But this morning’s tweet points to another issue for TOK: before the first day of Grade 11, students have little or no experience thinking about the sort of issues that arise in TOK. The first half-year of TOK is spent dealing with that deer-in-headlights shock and confusion.
Why, indeed, is there no analogous course in the Middle Years’ Programme? I can’t think of a good reason.
However, as my response above suggests, there is a solution at hand. Of all the ‘Areas of Interaction’ in the MYP, ‘Approaches to Learning’ receives the least attention. Not surprisingly. Schools have always done a lousy job of teaching students how to learn. It’s not just study skills: it’s work habits, study habits, personal habits . . . it is, in fact, ‘approaches to learning’. What could be more important? And yet, most teachers are far too busy teaching content to teach ‘approaches to learning’, except incidentally and by osmosis. Which is why I ended up writing my book, Good Habits, Good Students.
So let’s solve two problems at once. A weekly or biweekly ATL course in the Middle Years program would provide an opportunity to address learning habits and skills explicitly, and to engage in the kind of age-appropriate discourse that would give students invaluable practice thinking about how they think, so that when they arrived for their first TOK class in Grade 11 they would resemble fish in water, instead of deer in headlights.
Most of my WordPress blogs have been hacked by the worm that is running wild through even slightly out-of-date WP installations, so if weird things are happening when you try to read or click on links, please accept my apologies. I’m working on it!
This may surprise you:
[Students who don't submit SAT scores when they apply to university], with significantly lower SATs, earn [university] G.P.A.’s that are within five one-hundredths of a G.P.A. point of submitters, and graduate at rates within one-tenth of 1 percent of submitters.
This comes from the former head of admissions at Bates College, in Maine, USA, but presumably would be generally true.
I don’t know how I managed to miss the 50th anniversary of Billie Holiday’s death, but as partial atonement here is Frank O’Hara’s poem about the day she died. I’ve also uploaded a short podcast about her which you can find here. The path is Podcasts / Misc / Billie Holiday. If you don’t know Billie’s music, your life is poorer than it could be.
The Day Lady Died
by Frank O’Hara
It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed me
I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandariness
and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it
and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing
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About I have been teaching secondary school English since 1980 in the United States, Morocco, Switzerland, Austria, Canada, the Netherlands, and China in public, private, and international schools. I am also the author of Good Habits, Good Students: A Complete Guide for Students Who Want to Succeed.
Currently I live and teach in Suzhou, China.

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