Tolkien understood fascism

‘There now, Mister, that’ll do. It’s the Chief’s orders that you’re to come along quiet. We’re going to take you to Bywater and hand you over to the Chief’s Men; and when he deals with your case you can have your say. But if you don’t want to stay in the Lockholes any longer than you need, I should cut the say short, if I was you.’

To the discomfiture of the Shirriffs Frodo and his companions all roared with laughter. ‘Don’t be absurd!’ said Frodo. ‘I am going where I please, and in my own time. I happen to be going to Bag End on business, but if you insist on going too, well that is your affair.’ . . . 

‘Look here, Cock-robin!’ said Sam. ‘You’re Hobbiton-bred and ought to have more sense, coming a-waylaying Mr. Frodo and all. And what’s all this about the inn being closed?’

‘They’re all closed,’ said Robin. ‘The Chief doesn’t hold with beer. Leastways that is how it started. But now I reckon it’s his Men that has it all. And he doesn’t hold with folk moving about; so if they will or they must, then they has to go to the Shirriff-house and explain their business.’

‘You ought to be ashamed of yourself having anything to do with such nonsense,’ said Sam. . . . 

‘ . . . What can I do? . . .

‘ . . . You can give it up, stop Shirriffing, if it has stopped being a respectable job,’ said Sam.

‘We’re not allowed to,’ said Robin.

‘If I hear not allowed much oftener,’ said Sam, ‘I’m going to get angry.’

‘Can’t say as I’d be sorry to see it,’ said Robin, lowering his voice. ‘If we all got angry together something might be done. But it’s these Men, Sam, the Chief’s Men. He sends them round everywhere, and if any of us small folk stand up for our rights, they drag him off to the Lockholes. . . . Lately it’s been getting worse. Often they beat ’em now.’

—J. R. R. Tolkien, The Return of the King

Another Golden Age of excellence financed by exploitation?

The “Golden Age” of ancient Athens in the 5th century B.C.E. included fabulous sculptures and architecture, the glorious dramas of Aeschylus, Sophocles, and Euripides, and philosophers like Socrates and Plato. Ironically, these glories were financed by slave labour in Athens’ silver mines, and by the revenues of the Athenian Empire. The empire had begun as a defensive league, led by Athens, to protect against attacks from Persia. Over time, however, Athens wielded despotic power over its “allies.” One wonders how many thoughtful Athenians reflected that their achievements were founded on exploitation.

I thought of this the other day while reading about the complaints of some Los Angeles Dodgers fans about the team’s ownership. In recent years the team’s athletic and organizational excellence has been unsurpassed. They just won their third World Championship in the last six seasons, and their second in a row, in a gruelling, often amazing seven-game series against the Toronto Blue Jays. On the other hand, the team’s hedge-fund billionaire owners are said to be invested in ICE detention centres while raking in millions from their many Latino fans and featuring several Latino players on their roster. Social media posts are decrying this hypocrisy, calling for disinvestment in detention centres and private prisons, and calling on the team to refuse the traditional White House invitation granted to the World Champions.

The parallels with ancient Athens are easy to trace. Will this new “golden age,” with its astonishing achievements alongside a widening wealth gap and increasingly onerous exploitation by a small coterie of billionaires, lead to the same sort of dismal collapse suffered by Athens in the 4th century B.C.E.? Stay tuned.


Addendum: From 2019, another of my universally-ignored brilliant ideas: Socialize pro sports!

1950 – 2000: a golden age?

A friend wrote:

Looking back on the range of our lives, I think we’ve lived in a golden time, notwithstanding some awful things—the Vietnam War being the most predominant—but we have lived in a time when our country was king of the world and stood for morality. Obviously, we did awful things secretly—see Brazil, Guatemala, etc.—but overall, at least we stood for helping others, beginning with the Berlin airlift, and now all of that has been destroyed.

Well, yes, but . . .

For privileged, educated middle- and upper-middle-class Americans, the post-WWII era was a kind of liberal paradise in many ways. Well-funded public schools, often staffed with the last generation of women teachers whose like in the future would opt for medical school, or law school, or careers as corporate executives. Safe, clean neighbourhoods in often new suburban developments. Girl Scouts, Boy Scouts, Little League, Friday night football games at the local high school. Generous financial aid for college education. Free speech, faith in progress and an even better world in the future. Rising standards of living; each generation a bit better off than their parents. The ugly past of slavery and two World Wars and the Holocaust and the Great Depression all consigned to history. Optimism!

But for racialized and marginalized minorities, the picture was quite different. We don’t really need to go into the poverty, the redlining, the police abuse, the excessive rates of incarceration, the exclusion from schools, jobs, housing, and in the South, transportation, lodging, even parks and recreation. We all know now, I hope, about the FBI’s COINTELPRO campaign to slander, arrest, and murder Black activists and anyone else threatening the status quo. But let’s go back to those idyllic white suburbs. I remember being on the playground or sitting on the curb in my neighbourhood trading baseball cards. When we felt we had been cheated, we said we had been “jewed” or “gypped.” I had no idea what these words meant, but they show how pervasive such attitudes were. Non-whites and non-Christians were “other.” They were feared and disliked. They were mistreated if they came near enough to be mistreated. They were segregated, either formally or informally, into Black areas, Jewish neighbourhoods, Latino neighbourhoods, Indian reservations, and we white people never strayed into such areas. I remember being on the bus with the high school football team and the pep band in 1966 or 1967, going to an “away” game versus a school with a large Hispanic population. We chanted, in chorus: “Tacos, tacos, greasy, greasy, we can get this one, easy, easy!” The racism was casual, automatic, baked in, unquestioned, and ubiquitous.

Meanwhile, for the white American working class, their post-war paradise was all about good union jobs in factories—jobs that paid much better than the jobs those suburban college kids could aspire to. Rising incomes, good pensions and benefits, own your own home, two cars in the driveway, a vacation cottage, maybe a boat, holidays in Vegas or Honolulu. All-white neighbourhoods and schools, mostly all-white workplaces, with the better jobs held almost exclusively by whites. Church every Sunday. Saturday night in the tavern or at the bowling alley. For the young, rock ‘n roll, fast cars, hot dates. The tough guys would go into Hispanic or Black neighbourhoods and pick fights. Remember West Side Story? In the early ’70s I was hitchhiking in Idaho and got a ride with some young cowboy types, not much older than I was. They told me that one of their favourite entertainments was beating up drunken Indians.

There was a good deal of violence at home, too. Corporal punishment for the kids at school and at home, not just spanking with the hand but with paddles or belts. Domestic violence by a generation of men dealing with undiagnosed post-war trauma who self-medicated with alcohol and then took out their frustrations on their wives, girlfriends, and children. Even the jokes were typically cruel and demeaning. Taunts and physical bullying were thought to be an essential part of a child’s upbringing, especially for the boys, who had to be tough to survive in a tough world. No one wanted to be a sissy or a cry-baby. The playgrounds were often dangerous, frightening places where you either had to stand up for yourself or find a protector who would stand up for you.

In elementary school we ordered cheap paperbacks from the newsprint Scholastic catalogs that were given out to us three or four times a year. I remember the heroic portrayals of FBI agents protecting us against communists, defending our freedom. On television I watched westerns in which the bad guys really did wear black hats and the good guys wore white hats, and I learned that America was the good guy riding the white horse and doing the right thing all over the world, spreading freedom to the dark places where bad people were in charge. The racist subtext escaped me. It was JFK’s murder that started to wake me up to the lies. Edmund Wilson’s introduction to Patriotic Gore presented the Cold War not as a struggle between Good (us) and Evil (them), but as “the irrational instinct of an active power organism in the presence of another such organism, of a sea slug of vigorous voracity in the presence of another such sea slug.” I learned that good, kindly Dwight Eisenhower, the hero of World War II, had approved the assassination of Patrice Lumumba in the Congo because he threatened US access to vital mineral resources; and that Ike had cancelled a promised referendum in Vietnam after being informed that Ho Chi Minh’s communists would almost certainly win any such vote. And so on. The white hat remained, but instead of representing Good it seemed instead to represent racial and national dominance, both political and economic. This correction of the picture painted by US propaganda in the 1950s need not go to extremes: no one I know, given a choice, would have preferred to live in the Soviet Union or in China or in Castro’s Cuba (unless, like Assata Shakur, you were on the FBI’s Most Wanted list).

So, yes, the half-century that followed the Second World War was a kind of liberal golden age, so long as you were a white American or Western European (and, preferably, male). And perhaps the ideals that either fueled or masked (or both) the dark side of that golden age—perhaps those ideals are in the end more important than the lies and shortcomings behind or beneath them. I had a conversation years ago about the hypocrisy of Thomas Jefferson, a slaveowner who kept an enslaved mistress and fathered several children with her and then denied their paternity. How could such a man assert that “All men are created equal” in a document called the “Declaration of Independence”? And the cabbie I was talking with—a brown-skinned immigrant—unfazed by Jefferson’s scandalous behaviour, just smiled and said, “Well, maybe his beautiful words are more important than how he lived.”

 

Violence in America

“This is not who we are”? Seriously?

Assassinations are as American as apple pie. The presidential assassinations alone are almost too numerous to remember. Include killings or attempted killings of other elected officials, add in other political figures like Malcolm X and MLK, Jr., and . . . where’s my abacus?

Then we have organized violence, starting with the genocide of indigenous people, moving on to slavery, which segued into a century of vigilante violence against Blacks in the South during Jim Crow, continuing with police violence against Blacks and other marginalized people right down to yesterday’s traffic stop and ICE raid.

Then we have media violence, beginning with frontier stories; the mythologized Old West of gunslingers, rustlers, and crusading sheriffs; and Prohibition gang violence; career criminals (e.g., Dillinger, Bonnie & Clyde); psychopathic killers; Mafia families; and the cops chasing after all of these modern criminals.

School shootings. Other mass shootings. Domestic violence.

And let’s not forget war movies. The Revolutionary War, the Civil War, WWI, WWII, Korea, Vietnam, Iraq, etc.

A lot of violence.

1944/45 all-star jazz broadcast

Jubilee was a radio program on the Armed Forces Radio Service intended for African-American soldiers during the Second World War and the Korean War; the program ran until 1953. The photos below are from a broadcast in either 1944 or 1945; the photos are dated a year apart although it is clearly the same session. I have been unable to find any audio recordings of it.

“1944 Command Performance program on the Armed Forces Radio Service, ensemble performing: Honeysuckle Rose. Produced in Hollywood. L to r.: Count Basie (vb), Lionel Hampton (vb), Artie Shaw (cl), Les Paul (gtr), llinois Jacquet (tnr sax), Tommy Dorsey (tbn), Ziggy Elman (tpt), Buddy Rich (dms), and Ed McKinney, obscured by Rich (bs)” https://www.ijc.uidaho.edu/hampton_collection/items/ijc_lionel_hampton_0790.html
“JUBILEE BROADCAST to US Troops, Aug.1945.Count Basie (piano)Illinois Jacquet(sax)Tommy Dorsey, Ziggy Elman, Buddy Rich, Artie Shaw, Lionel Hampton(vibes)” https://www.alamy.com/stock-photo-jubilee-broadcast-to-us-troops-aug1945count-basie-pianoillinois-jacquetsaxtommy-35111013.html

Let’s Not Put Descartes Before the Horse

Or, “The Mind-Body Problem? No Problem”

The great French mathematician and philosopher, René Descartes (1596 – 1650), concluded that he could know for certain that he existed, because he was thinking: “I think, therefore I am” (Cogito, ergo sum in the original Latin).

Here’s the joke:

A horse walks into a bar and orders a beer.  The bartender says, “You’re in here every day.  You might be an alcoholic.”  The horse says, “I don’t think I am,” and disappears.  It’s a joke about Descartes, but you don’t want to put him before the horse.

Of course, if the horse doesn’t think he is [an alcoholic], he is still thinking . . . but that spoils the “horse before the cart” / “Descartes before the horse” joke.*

Here is Richard Watson, in his fascinating Cogito Ergo Sum: The Life of René Descartes (2002):

According to Descartes, each human being consists of a mental, thinking, active, unextended soul-mind united with a material, unthinking, passive, extended body. Most people in the Western world believe that this is true, that we have bodies and we have souls. . . .

In the twenty-first century, this is how the last battle for the human soul will go. Materialists will discover more and more about how the brain works. Mentalists will never be able to show how an independent mind works. One day, one hundred, two hundred years down the line, everyone will finally realize that the materialists have won and that the mentalists have lost this last battle for the human soul. When humankind finally faces the fact that the mind is the brain, that there is no independently existing mental soul to survive the death of the body, that none of us chirpy sparrows is immortal, when Descartes’ ghost in the machine finally fades away and his animal machine is triumphant, then there will be a revolution in human thought the like of which none has gone before.

[pp. 313, 327]

What follows from this?

First:

I have a body; you have a body; the dog, cat, and cockroach all have bodies; the trees have bodies; soil consists of a multitude of bodies; even stones have bodies. Each of these bodies functions in ways that are more similar (mammals, for example) or less similar to ours. Humans have language. Dogs hear pitches where we hear only silence. Trees, we have learned in recent years, communicate with each other through mitochondria. What we share in common is . . . we are bodies. Atoms and molecules. We come from atoms and molecules, and we return to atoms and molecules. We are quite literally one with every other body, with the earth itself, with the universe. Stardust. “The smallest sprout shows there is really no death,” wrote Walt Whitman, “And if ever there was, it led forward life, and does not wait at the end to arrest it, / And ceas’d the moment life appear’d. / All goes onward and outward—nothing collapses; / And to die is different from what any one supposed, and luckier.” What if we lived, every day, that sense of solidarity with all bodies, respect for all bodies?

This idea of a body, applied to all of nature, makes us “one with everything” to use the Buddhist phrase, but in a different, more concrete sense. Clouds, rocks, dogs, trees, Descartes, all are bodies made of the same materials, materials that recycle among all the different kinds of bodies that exist. Or, as John Lennon put it, “I am he as you are he, as you are me and we are all together.” We just need to add an “it” to those pronouns. And what binds these bodies together, or keeps them separate? Energy. The intuitions of visionaries like Laozi—

The universe is deathless; Is deathless because, having no finite self, it stays infinite. A sound man by not advancing himself stays the further ahead of himself, By not confining himself to himself sustains himself outside himself: By never being an end in himself he endlessly becomes himself.

Epicurus—

Death, therefore, the most awful of evils, is nothing to us, seeing that, when we are, death is not come, and, when death is come, we are not.

William Blake—

Without contraries there is no progression. Attraction and repulsion, reason and energy, love and hate are necessary to human existence. . . . Energy is an eternal delight . . . .

and Whitman are being confirmed in our time by modern physics.

The old joke turns out to be truer than expected: it is wrong to put Descartes before the horse, if he and the horse are brothers. Sometimes the horse leads; sometimes Descartes leads; sometimes they go separate ways. But they are both bodies, and both deserve respect.

Second:

In this view, what happens to the conflict between war and religion that has been waged at least since the rise of modern science in the 17th century? It’s over. To become “one with everything” no longer requires higher consciousness after years of meditation: it is a plain fact. To regard all men as brothers or all people as equal “in the eyes of God” no longer requires faith or revelation. To observe the world and everything in it scientifically is to see its oneness. It is no longer possible to imagine a science that denies the oneness of everything; nor is it possible to seriously entertain a religious faith that denies materiality. Om shanti, baby: only one shanti is required.

Corollary

Here is one of those “Why is the sky blue?” questions that I have pondered for a few years: Why is almost everything in the natural world beautiful? Is there some evolutionary advantage to being beautiful? If so, it certainly has not stopped humans from despoiling Nature in every way imaginable. No. It seems to me, rather, that we find Nature beautiful because the entire universe consists of bodies made of the same material, material that combines to build structures on the same universal principles. What do we see in microscopes, in telescopes, underwater, in forests, deserts, and savannahs? The same shapes, the same branchings and symmetries and fractal iterations. We see, in other words, ourselves. That aesthetic response—”Oh, look, how beautiful!”—is recognition.

We see our body:


*Bonus chuckle, this one from Richard Watson in the same book:

One day Morris Raphael Cohen, a legendary professor at City College New York, gave a lecture on Descartes’ method of doubt in which he left uncertain the question of the existence of everything. The next morning when Professor Cohen arrived at his office, he found waiting for him a young man who was obviously in great distress. Professor Cohen opened his door and ushered the student inside. “Tell me, Professor Cohen, the student blurted out at once, “I’ve been worrying all night. Tell me, do I exist?” Professor Cohen fixed him with a steely eye and in his eminently imitable Yiddish accent said, “Zo who vants to know?”

Federico demonstrates his love of ethics

In 1472, Federico da Montefeltro’s army of twelve thousand men laid siege to the Tuscan city of Volterra.

In the middle of June, the citizens negotiated their surrender. Federico agreed to their terms that the city should not be sacked, but his soldiers, having breached the walls, soon entertained other ideas. Hundreds of Volterrani were slain and their possessions looted. Machiavelli later wrote that for a whole day the city ‘suffered the greatest horrors, neither women nor sacred places being spared.’ . . .  Federico . . . did his best to prevent looting but . . . ‘great disorders’ arose—violence and rapine of such fury that afterward Federico ‘could not contain his tears.’ Regardless, Federico indulged in some looting of his own . . . [taking] seventy-one Hebrew manuscripts [including] a thirteenth-century manuscript of the Old Testament . . . [comprising] almost a thousand leaves of heavy parchment . . . that required two people to lift it.

These precious volumes were added to Federico’s library in Urbino. . . . Aristotle’s Ethics was a particular favorite of Federico’s. . . . At intervals during the battles, Federico enjoyed hearing passages from it read aloud.

—Ross King, The Bookseller of Florence, pp. 267-68

Ah, Federico! Ah, humanity!

Auden’s 1941 Literature Course

W. H. Auden, the great poet and essayist, taught a course called “English 135: Fate and the Individual in European Literature” at the University of Michigan in 1941. Here is the course syllabus:

All of that in one semester!

Let me know when you have completed all the required reading. Bonus points for those who also complete the recommended critical readings.

Credit to openculture.com for this!

Vicious Romans

Thomas Wiedemann’s thin volume, Cicero and the End of the Roman Republic, begins with this sentence: “The values of the Roman republic into which Cicero was born were both militaristic and competitive”—a claim amply supported by the next 83 pages of murders, treachery, slander, and endless legal battles consisting largely of ad hominem attacks. I confess to skimming more and more quickly. The Chinese phrase puts it succinctly: 他们都是流氓, “they are all gangsters.”

Revisiting “Brideshead Revisited”

The video, starring Jeremy Irons. I have not read the book.

There was a great deal I did not remember at all, and some I misremembered. The one detail I recalled correctly from 1982 was Diana Quick’s bare boob—the first bare boob I had ever seen on television. On the other hand I was completely wrong in thinking it was a story about the World War—the First? the Second?—that concluded with the empty estate of Lord Marchmain being commandeered as a convalescent hospital for wounded soldiers.

Jeremy Irons spends most of the eleven episodes staring glumly or blankly as others talk to him or around him. Anthony Andrews, the other lead, literally disappears into a weirdly pious alcoholism in North Africa. The great delight for me was John Gielgud’s performance as Irons’s quirky, perversely funny father. And Nickolas Grace gives a bravura performance as the flamboyantly gay Anthony Blanche—”Antoine”—who in the end proves the most clear-eyed of them all.

Part way through watching the DVDs I wanted to read the book—especially the Moroccan episode, which I had completely forgotten—and I may get around to it. But by the end I was worn out: far too many unhappy rich people and far too much Catholic piety for my taste.

Language wars

The left keeps fighting the language wars and losing everything else.

Unhoused, not homeless. Undocumented, not illegal. Transgender, not transsexual. Sex worker, not prostitute. And let’s be extremely careful about what word to use to refer to people of colour in the United States. Negro, the word used by Langston Hughes and Martin Luther King, Jr., is out. Afro-American and African-American (with or without the hyphens) had their day, but no more. This week the acceptable term is Black, with a capital B (which is the exact meaning of Negro, but . . . never mind).

Meanwhile, millions of people continue to live on the streets; immigrants continue to be abused by employers, traffickers, and government thugs; people with gender dysphoria continue to be harassed and vilified; women continue to be sexually exploited; and racism continues unabated.

Cartoon idea: Crowd chanting “She’s not illegal, she’s undocumented!” as ICE thugs hustle a woman into an unmarked van.

Nothing like us

Very few people study Ancient Greece these days.

For one thing, the Greeks were terrible misogynists. They seemed always to be at war. Their politicians were mostly driven by personal ambition, and many of them were plainly corrupt.

The richest of the Greek city-states, Athens, founded its wealth on slave labour and the economic exploitation of its smaller and weaker neighbours.

And yet, out of all that mess came great art, mathematics, literature, philosophy, and even science and medicine.

The Greeks were, in short, nothing at all like us.


Addendum: Greek words that are completely irrelevant today:

Misogyny, democracy, oligarchy, plutocracy, autocracy, demagogue, sophistry . . . well, you get the idea.

The Harlem “Renaissance”

In 1927, there were perhaps 300.000 African Americans living in the vicinity of Fifth and Seventh Avenues, roughly from 130th to 155th Streets. They lived, according to census and Urban League studies of the period, in housing designed for 16,000. . . . Many lived in tenements so “unspeakable” and “incredible,” in the words of a 1927 city housing commission report, “the state would not allow cows to live in some of these apartments.”

Black and Blue: The Life and Lyrics of Andy Razaf, by Barry Singer

“Spinoza: A Life,” by Steven Nadler

This is an excellent biography of an extraordinary man. Benedict Spinoza, a lapsed Jew excommunicated by his synagogue and living in a Holland rancorously divided between Calvinists and Catholics, republicans and monarchists, was far ahead of his time. Even the most liberal of his contemporaries could not stomach his sceptical views of religion. The only major work that he published (anonymously) in his lifetime made him the target of vicious attacks, to the point that his grand opus, the Ethics, was published only after his death. Besides being brilliant, Spinoza lived very modestly, never sought public attention, and was known for his kindness and even temper. He died young of a respiratory illness exacerbated by years of grinding lenses and inhaling glass dust, but he may have been lucky to die when he did. Just five years before his death in 1677, the De Witt brothers, Jan and Cornelis, were beaten to death by an angry mob that stripped them naked, mutilated their bodies, and hung them up by their heels. Spinoza’s insistence on logic and reason put him at odds with his own age, and indeed with almost any place or time, and it is not hard to imagine him becoming another victim of the mob. I wish I could have met him, and shook his hand . . . and warned him about inhaling glass dust.

Zane Grey, Louis L’Amour, and Tony Hillerman

Zane Grey’s writing is corny, clunky, and amateurish.

“Out of date” is a polite way to describe his language and attitudes, which are casually racist. His characters, at best barely better than cartoonish, adhere to age-old sexist stereotypes.

The historic popularity of Zane Grey’s work can only be understood as his readers’ recognition of their own values in the “Old West” mythology of white settlers, ranchers, rustlers, and gunmen as the heroes of a white-supremacist melodrama. (Or else, if you came to Grey’s stories in your youth, you might have a nostalgic love of them.)

The anti-Mormon screed in Riders of the Purple Sage, too, would have appealed to most of his original readers.

Louis L’Amour adopted Grey’s basic ideas, created a formula, and cranked out a prodigious number of stories built on it.

The Old West in the novels of Grey and L’Amour is a largely lawless Hobbesian state of nature in which evil men seek to rule and dominate by any means necessary, while good men band together under the leadership of a hero to defeat the villains and protect their land, property, and families. These novels are quintessential boys’ fiction, allowing male readers to wonder if they would be wise, brave, and strong enough to defeat the bad guys.

Tony Hillerman’s detective novels, set in the same region a century later and featuring Navaho policemen Joe Leaphorn and Jim Chee, are much better on all counts. Within the conventions of the genre (we still have melodramatically evil villains) Hillerman introduces realistic, well-rounded characters, authentic portrayals of indigenous people and their cultures, and female characters who are something more than patriarchal caricatures. If you enjoy detective fiction, I warmly recommend Dance Hall of the Dead as a good introduction to Hillerman’s work.

Go pound sand, Ezra (wisdom comes, but too late)

A cautionary tale for those who so willingly proclaim the latest discoveries of the literary promoters to be masterpieces.

In Humphrey Carpenter’s 900-page biography of Ezra Pound, A Serious Character: the life of Ezra Pound, the man is nearly as annoying a century later as he must have been in real life. Half-literate, sloppy, hyperactive, supremely egoistical (even when promoting other artists); a young man whose eccentricities, confined to the harmless realm of literature, turned toxic in middle age when he left letters for politics. A narcissist incapable of admitting error. A flinger of insults when criticized, or just to claim superiority, but also a kind and generous friend. A man who, aspiring to be regarded as an intellectual, lacked the discipline to become truly learned about anything. In short, an American snake-oil salesman purveying poetry and invented poetic movements with all the boastful ignorance of a circus promoter. And the exact model of millions of obsessives today who embrace crackpot theories and bigotries and spread them enthusiastically on social media.

Immediately after his meeting with Mussolini he began a period of frenetic activity, in which he set himself up as a prophet of salvation through right economics, an interpreter of history who could save the world from its errors, a scourge of government who could unmask international conspiracies. . . .

It might be supposed from this that he had lost his sense of proportion; yet he was only behaving in character. The fervour he now devoted to questions of economics and government was the same with which he had pushed himself into the London literary world in 1909, had set up Imagism, promoted Vorticism, and championed Gaudier-Brzeska, Joyce, and Eliot. 

Pound’s internet was, of course, the radio, and his infamous wartime broadcasts from Italy got him arrested, charged with treason on dubious grounds, and confined to a mental hospital on dubious grounds for more than twelve years. Within five years he was receiving regular visits from a fan club of flaky young groupies: proto-hipster would-be poets, neo-Nazis, and anti-Semites. 

And yet this jackass did somehow produce a few lines of memorable poetry, was credited by William Butler Yeats and William Carlos Williams as having a fine ear for rhythm, and by T. S. Eliot for editing “The Waste Land” into what came to be regarded as the poster-poem of Modernism. Having said that . . . if one were inclined to skepticism about Modernism, a closer acquaintance with its leading lights is unlikely to change that inclination. Even Eliot, whose public persona was downright priggish, turns up here writing silly letters to Pound and exchanging ridiculous nicknames with him (Possum for Eliot, Brer Rabbit for Pound). These are men in their 30s, not schoolboys. Modernism’s rebellion against traditions and conventions may have aired out literary salons that had grown staid and stuffy; but it also opened the doors to a boatload of half-baked nonsense pretending to be art, supported by equally half-baked claims that artistic judgment itself is nonsense, that whoever proclaims himself an artist is one, and that whatever claims to be art is immune from critical appraisal.

All the attempts of later avant-garde enthusiasts to find profundity in his work are rebuked by Pound himself. At 81, asked to explain the structure of his Cantos, he answers, “It’s a botch. . . . I knew too little about so many things. I’ve read too little and I read very slowly. . . . I picked out this and that thing that interested me, and then jumbled them into a bag. But that’s not the way to make . . . a work of art.” His defenders have claimed alternately that a) he said no such thing, or that b) the poet’s judgment of his own work has no value. To which I say, well, o-o-okay! A year or two later he tells Allen Ginsberg, “At seventy I realized that instead of being a lunatic, I was a moron.” When Ginsberg praises Pound’s poetry, Pound says, “A mess. . . . Stupid and ignorant all the way through. Stupid and ignorant.” He also renounced the anti-Jewish calumnies in which he had indulged.

Thus in his dotage Ezra Pound seems to have arrived, finally, at a kind of wisdom and self-knowledge, à la King Lear—reminding me of that time-tested definition of tragedy: wisdom comes, but too late.

The Magic Mountain, then and now

Thomas Mann’s The Magic Mountain (1924) stands at the end of the 19th century and beginning of the 20th as Dante’s Divine Comedy stands at the end of the Middle Ages and the beginning of the Renaissance. The threadbare plot is merely a framework within which Mann’s characters can indulge in long undergraduate arguments (“undergraduate” because of their enthusiasm, but undergraduate at a very high level—Oxford or Cambridge, for example) about history and philosophy, and his narrator can linger, endlessly it seems, over the minute details of weather, landscape, a lady’s dress, or Hans Castorp’s intricate thoughts and feelings. The history and philosophy debates sum up the Western tradition to that point—Greeks, Hebrews, Romans, Christianity, the Enlightenment, Romanticism, and the bourgeois anxieties of the 19th century—while somehow anticipating the insanities of the 20th century in which, as Mann foresaw, the brutalities of far-left ideologies would be matched blow-for-blow by the brutalities of far-right ideologies. There is more than a whiff of Dostoyevsky, too, blowing through Mann’s tuberculosis resort, both in the violent oscillations of the arguments and in the dark forebodings of the future. The Karamazov brothers would fit right in with the hypersensitive patients of The Magic Mountain. Inevitably, the novel includes an evening séance, but without a ouija board or certified Theosophist in attendance. These pampered folk, perpetually bored, search for entertainment just as their progeny do, three or four generations later. The only artists among them are dilettantes. The only intellectuals, Settembrini and Naphta, talk and talk and talk, without effect, until their comic-opera duel and the symbolic suicide of the Jesuit Bolshevik, Naphta. The fecklessness of the Magic Mountain’s inhabitants mirrors that of Chekhov’s Three Sisters (1901); the pointlessness of their lives, that of Beckett’s Waiting for Godot (1953).

The scoundrels, criminals, gangsters, and swindlers who actually make things happen never appear on the Magic Mountain. They are down below, cooking up the catastrophe we call World War I. A century later, what has changed, essentially?

The “Sad Truths” Dept., from H. L. Mencken et al

No one in this world, so far as I know—and I have searched the records for years, and employed agents to help me—has ever lost money by underestimating the intelligence of the great masses of the plain people. Nor has anyone ever lost public office thereby. The mistake that is made always runs the other way. Because the plain people are able to speak and understand, and even, in many cases, to read and write, it is assumed that they have ideas in their heads, and an appetite for more. This assumption is a folly.

—H. L. Mencken, in the Baltimore Sun, Sept. 18th, 1926

Approximately 32 million adults in the United States can’t read, according to the U.S. Department of Education and the National Institute of Literacy. The Organization for Economic Cooperation and Development found that 50 percent of U.S. adults can’t read a book written at an eighth-grade level.

everylibrary.org, June 2017

Democracy is the most difficult of all forms of government, since it requires the widest spread of intelligence, and we forgot to make ourselves intelligent when we made ourselves sovereign.

—Will Durant, The Lessons of History (1968)

500 years, two technologies, similar chaos

1520s

In Germany, respect for traditional authority figures—the Pope, the Emperor, and other nobles—has broken down under an assault led by Martin Luther. Into that vacuum of authority hundreds of voices arise, each contending with the other. The vicious attacks made initially against the Pope are now turned by various Protestant factions against other Protestant factions, with verbal violence more than occasionally turning into physical violence. No one, including Luther himself, is excluded from the most extreme accusations and absurd slanders. All this vitriol is spread by a new technology—the printing press—which accelerates the spread of lies, rumours, calumnies, and hysteria of every sort. Where before there was one truth, now there are hundreds of truths, or none at all.

2020s

Throughout the West, respect for traditional authority figures has broken down. Ten thousand voices contend, with the same accusations—traitor! racist! fascist! etc.—hurled by opposing factions at each other. Verbal violence more than occasionally turns into physical violence. No public figure is excluded from the most extreme accusations and absurd slanders, and even private persons are not safe from attack. A new technology—social media—accelerates the spread of lies, rumours, calumnies, and hysteria of every sort. Where before there was a rough standard for establishing the truth, now there are hundreds of truths, or none at all, and no agreed standard for judging.


The authorities who lost control in each of these cases were different, of course. In the first case, the corruptions of the Papacy in Rome and the Church in general are well-known: ersatz “indulgences” and relics foisted on an ignorant populace and used to raise funds; scandalous personal behaviour and extravagant expenditures by popes, cardinals, and their monarchical retinues; and bad behaviour in local areas by priests, monks, friars, and nuns who were ill-suited to a religious vocation. Such criticisms were well-known, and had been documented by writers like Chaucer a hundred years earlier, but it was Luther who brought things to a crisis with his defiance of Rome and the Pope’s excommunication. The nobility, meanwhile, were doing their usual work of soaking the peasantry while they lived in luxury. Five centuries later in the post-WWII West, the orthodoxies that would be overthrown were more diffuse: a media elite who dominated a largely centralized system of major newspapers and major TV and radio networks; a political elite who worked hand-in-hand with this media elite; and a general agreement that some form of capitalism (with a larger welfare state favoured by the centre-left and a smaller one favoured by the centre-right) would lead to prosperity and progress for almost everyone. These orthodoxies and their representatives began to lose credibility in the 1980s when a “globalized” economy featuring free-trade agreements, fewer regulations of the financial system, and the exportation of manufacturing and heavy industries to developing countries where labour was much cheaper. The result was the rise of a new billionaire class whose wealth was generated by manipulation of financial instruments like hedge funds, while the middle and working classes saw their income and wealth stagnating or falling. These trends were only exacerbated by the rise of internet billionaires around the turn of the century. Despite their policy differences, all the mainstream political parties participated in this massive shift of wealth.

In both cases, the peasants (16th century) and the working-class (21st century) rose up in revolt, with violence in the earlier period (the Peasants’ War) exceeding—so far—violence in our own time (the truckers’ protests, the jaunes gilets in France, the January 6th attack on the Capitol in 2021). These revolts against the elites spilled over into attacks on other perceived enemies like the Jews (16th century) and the Jews and the immigrants (21st century). (The 21st century movements of immigrants into the prosperous nations of Europe and North America were impelled, of course, by that same “globalized” economy that led to soaring wealth and income gaps, job losses, and economic stagnation in Europe and North America.) In both cases, too, the earlier proponents of change (Luther, Reagan Republicans) were pushed aside by more radical voices. As in the French, Russian, and Chinese Revolutions, yesterday’s revolutionaries became today’s counter-revolutionaries and enemies of the people. The fanaticism set in motion by Luther led to the Wars of Religion in France (1562 – 1598) and the Thirty Years’ War (1618 – 1648).

The loathing between Catholics and Protestants, and between nations, was so great that when the antagonists finally agreed to negotiate it took five years to bring the carnage to an end. The Peace of Westphalia, signed on October 24th, 1648, ended more than a century of religion-stoked violence dating back to the first executions of Luther’s followers in the Netherlands in the early 1520s. The fanaticism and savagery set off by the Reformation had led to the dispossession, maiming, execution, and slaughter of millions of people. . . .

“I have often wondered,” Spinoza observed Erasmically in his Preface [to his Tractatus Theologico-Politicus (1670)], that persons who make a boast of professing the Christian religion should quarrel with such rancorous animosity and daily display towards one another such bitter hatred.”

—Michael Massing, Fatal Discord: Erasmus, Luther, and the Fight for the Western Mind

(Note 1: It is also arguable that Luther’s violent attacks and slanderous accusations against the Jews embedded anti-Jewish hatred in German culture in a particular way that made Germany the birthplace of the Holocaust four centuries later. Note 2: That “religion-stoked violence” ended in 1648 seems a highly dubious claim. Note 3: When I lived in Morocco in the 1980s I often heard that Islam, its theology rooted in the Middle Ages, needed a “Protestant Revolution.” I assume that the “slaughter of millions of people” was not included in this proposal.)

It is tempting (as always, given the limited perspective of a single human lifetime) to see the 1520s and 202s as separate cases. I prefer to see them as parts of the same story, in which civilization undergoes periodic corrections or adjustments—diastolic / systolic alternations—either when the established order’s corruption becomes unbearably oppressive, or when the chaos has gone on too long and most people are willing to give up some freedoms in exchange for peace, order, and stability.

My question: Is this process simply an endless oscillation, similar to the Greeks’ idea of a repeating move from monarchy to tyranny to oligarchy to democracy and back again? Or are we making slow progress toward a society in which both the oppressive inclinations of elites and the violent reactions of the masses are contained within some kind of acceptable range?

Confluences: jazz, immigrants, and Martin Luther

As I am reading W. H. Kenney’s Jazz on the River I am also listening to the audiobook of Michael Massing’s Fatal Discord: Erasmus, Luther, and the Fight for the Western Mind. Martin Luther, when he wasn’t blowing up Catholicism or excoriating the Jews, wrote many significant hymns that became central to Lutheran worship and helped to create a musical culture in Germany that was exported to the U.S. by German immigrants in the 19th century. One group of such immigrants, the Streckfus family, saw the decline of the packet boat industry along the Mississippi River in the 1890s and, perhaps because of that German musical culture, conceived the idea of converting their vessels into excursion boats featuring live orchestras and huge dance floors. It was on Streckfus steamers that Fate Marable spent fifty years leading Black orchestras, introducing New Orleans jazz to white audiences and teaching scores of notable jazz musicians (with Louis Armstrong at the top of that list) to read music fluently enough to make them employable when they (part of the Great Migration of Black Americans out of the South) moved on to a bit of fame, if not fortune, in Chicago and New York. And another German immigrant, Bix Beiderbecke, growing up on the Mississippi shore in Davenport, Iowa, caught the jazz bug after hearing the riverboat orchestras, and became one of the first notable white jazz musicians. Martin Luther, no doubt, would have been appalled by Beiderbecke’s music.

It’s the same old song . . .

Summarized from Jazz on the River, by William Howland Kenney (2005), pp. 107-108:

  • 1896: The American Federation of Musicians is founded with forty-four local unions. Local #44 is the Black musicians’ union in St. Louis, Missouri. For three decades Local 44 prospers, with Black musicians playing the venues that white musicians didn’t want: dance halls, nightclubs, and riverboats.
  • 1927: With the end of silent movies, the white musicians who formerly played in movie theatres lose those jobs and begin moving in on the riverboat jobs, throwing Black musicians out of work.
  • 1929: With the Depression, white musicians lose most of their other jobs playing  vaudeville, stage shows, opera houses, and concert halls.
  • 1930: The A.F.M. revokes Local 44’s charter, making it impossible for Black musicians to negotiate for contracts playing on the riverboats. Subsequently, three-quarters of the remaining riverboat jobs go to white musicians, leaving most Black musicians playing in marginal venues for non-union wages. Similar stories played out in cities across the nation.
  • 1944: the A.F.M. finally charters a new union for Black musicians in St. Louis, Local 197.
  • 1971: Local 197 is dissolved when the St. Louis musicians’ union is finally integrated.

Can real men live in a peaceful society?

In 19th-century Europe the growing middle class generated by the Industrial Revolution developed a new way of life. In bourgeois towns the streets were lit at night; policemen ensured order, supported by judges, courts, juries, and jailers. City parks provided pleasant Sunday walks, and perhaps even a brass band playing music in a pavilion. Fathers went to work each morning. Some returned home for the midday meal, along with the children home from school; all returned home for supper with the family. Mothers stayed at home to care for the children, maintain the house, and prepare the meals. In wealthier families they were assisted by servants who helped with the cooking, cleaning, shopping, and care of the children. The men worked in shops and offices, as clerks or salesmen, or as managers in one of the local factories. Physical labour was left to the working class in towns, and to farmers in the countryside. Wars were a thing of the past, or took place only at the remote edges of the continent. 

In this new bourgeois society, new male stereotypes emerged: the pompous banker; the crafty lawyer; the doctor who might cure you or might kill you with his primitive treatments; the dandy, with his fancy clothes and smooth talk for the ladies; the mousy clerk; the fawning salesman. None of these male figures were strong candidates for the army. No, the army’s officers were from the upper classes—the noblemen who for countless generations had been bred for war. The ordinary soldiers and sailors were from the working classes. The bourgeois men were too soft to make good soldiers. They were peacetime creatures, better suited for commerce than for combat. Sport was the only aspect of bourgeois life where the old warlike masculine virtues were still cultivated, with boxing and wrestling most prominent. (In the 20th century the role of sport in bourgeois life exploded, with multiple forms of team sports and an entire industry of exercise and fitness for people who rarely exercised their bodies on the job.) 

When it came to love and marriage, this bourgeois society produced a whole new set of stereotypes. The young bourgeois man was not very attractive to the girls whose attention went to the “bad boys” with bulging muscles and scars from brawling. These “dangerous” guys seemed much more exciting to girls than the well-behaved, well-dressed, well-spoken boys they knew from school. Despite their attractions as lovers, however, these “dangerous” men rarely made good husbands—if they married at all—and so most of the bourgeois girls eventually got over such passing infatuations and settled on some reliable fellow who could be counted on to provide her with a comfortable life and be a good husband and father. In the 20th century, similar dissatisfactions with the lack of excitement in bourgeois life led teenagers of both sexes to experiment with “wild” behaviours featuring music offensive to their parents, crazy fashions and hairstyles, tattoos, motorcycles, boyfriends or girlfriends their parents would not approve of, drug and alcohol abuse, and sexual adventures—anything and everything, in short, to violate bourgeois norms and conventions. 

At the heart of this new bourgeois life and its dissatisfactions was the new bourgeois man who, despite his education and sophistication, was decidedly unexciting. The stereotypical man of earlier times, by contrast, performed physical labour that kept him fit and strong; was ready at a moment’s notice to use his fists or pick up a weapon to wield against enemies or wild beasts; but could also play a fiddle or sing a song or build a house, and wanted to marry a good woman and raise a family. He combined, in short, the traditional masculine virtues with a dedication to home and family.

These traditional masculine virtues go way, way back. In Homer’s Odyssey we hear the tale of Ares, the god of war, having an affair with Aphrodite, the goddess of love who has been married to the crippled smith god, Hephaistos, in a failed attempt to tame and domesticate her. Ares is hyper-masculine: a strong, handsome warrior who loves the battlefield even more than he loves women. Aphrodite is hyper-feminine: beautiful, sexy, and unfaithful. In bourgeois society Ares would be a low-class thug, and Aphrodite a shameless whore. Their extremes of masculinity and femininity are taboo in a middle-class world. The problems of respectable middle-class women managing their inner Aphrodites deserve attention, and the consequences of middle-class women violating sexual taboos are serious and well-known: scandal, disgrace, sexually-transmitted disease, unwanted pregnancies, abortions, single motherhood, etc. But our focus here is on the marginalization and condemnation of hyper-masculinity in bourgeois society, because the consequences of men violating bourgeois taboos around masculinity range from the personal (e.g., assaults, domestic violence, rape) to the collective (e.g., gangs, fascism, and war). We see these pathological versions of manhood today in politics and society around the world: authoritarian leaders, tribal and national chauvinism, celebration of “bro culture”; pop music stars who are misogynistic in both their art and their lives; politicians who ramp up male fear that the women are “taking over.”

In William James’s 1910 essay, “The Moral Equivalent of War,” he writes of  “manly virtues,” of which he approves and wishes to preserve while at the same time avoiding their ultimate testing-ground, war. Society may have changed, James writes, but human nature remains: “modern man inherits all the innate pugnacity and all the love of glory of his ancestors.” That “love of glory” reminds us, perhaps, of sport as both preparation and substitute for war. “We are the champions!” cry the winners. Sport having failed to end war, James proposes his “moral equivalent”: mandatory conscription of all young men for a period of service dedicated to arduous tasks that are needed but usually regarded as undesirable vocations: “To coal and iron mines, to freight trains, to fishing fleets in December, to dishwashing, clothes-washing, and window-washing, to road-building and tunnel-making, to foundries and stoke-holes, and to the frames of skyscrapers, would our gilded youths be drafted off, according to their choice, to get the childishness knocked out of them . . . .” Working in teams, they would toil and sweat together, help each other, learn brotherhood and comradeship, and have the satisfaction of giving themselves to a cause greater than their own petty, personal desires. James, writing in the last year of his long life, asserts that “Such a conscription . . . would preserve in the midst of a pacific civilization the manly virtues which the military party is so afraid of seeing disappear in peace.” In closing he writes, “I have no serious doubt that [we] are capable of organizing such a moral equivalent as I have sketched, or some other just as effective for preserving manliness . . . .”

Without doubt James’s scheme would achieve a good deal, as we have seen in the United States in the Depression-era Civilian Conservation Corps, or in John F. Kennedy’s Peace Corps. These programs, however, though inspired by James’s essay, were both voluntary—the universal conscription proposed by James has never been tried. Without such an experiment, we cannot know whether James’s idea could indeed so satisfy the noble and positive aspects of war that war itself would forever end. Is it possible to tame the urge to make war? One thinks of chivalry, the medieval attempt to civilize roaming bands of armed brigands plaguing towns and cities by inspiring them to be noble, brave, honest knights upholding Christian morality and defending the weak and defenceless (especially if they were beautiful ladies). We may scoff at this chivalric myth, but it has had some staying power. Millions of young men, admonished by their mothers to behave “like gentlemen,” have learned to stand when a lady enters a room, to offer their seats to the elderly, to remove their hats at the supper table, to speak without swearing, and to defend others against bullies. 

On the other hand, a few minutes spent browsing social media may lead to serious doubts about chivalry’s staying power. And while many young men may still learn good manners from their parents, it is hard to see this as more than surface behaviour that quickly evaporates under stress—or when using an encrypted account. Underneath any polite bourgeois surface that still exists, the hyper-masculine spirit of Bertran de Born (ca. 1140 – 1215), the Occitan poet-warrior, still lurks:

Maces and swords, colourful helms,

shields riven and cast aside:

these shall we see at the start of the battle,

and also many vassals struck down,

the horses of the dead and wounded running wild.

And when he enters the combat,

let every man of good lineage

think of nothing but splitting heads and hacking arms;

for it is better to die than to live in defeat.

 

I tell you, I find no such savour

in eating or drinking or sleeping

as when I hear the cries of “attack!”

from both sides, and the noise

of riderless horses in the shadows;

and I hear screams of “Help! Help!”

and I see great and small alike

falling into the grassy ditches

and the dead

with splintered lances, bedecked with pennons

through their sides.

—from “Be’m plai lo gais temps de pascor

The ladies of Eleanor of Aquitaine’s court, according to the legend, invented chivalry to tame the violence of the men around them. Can we do better? Can we have manhood without murderous violence, or are the two inseparable? If humans are indeed highly evolved animals rather than aspiring angels, perhaps other animals can help with these questions. A male dog who cannot be trained out of his violent behaviour is sometimes castrated. The same procedure is used with stallions and other farm animals that are no longer needed for breeding. From the Wikipedia page on gelding:

Castration allows a male animal to be more calm, better-behaved, less sexually aggressive, and more responsive to training efforts. Additionally, it is known for making the animal quieter, gentler and generally more suitable as an everyday working animal, or even as a pet (in the case of companion animals).

A drastic solution, but apparently it works. Would it be a violation of human rights? Cruel and unusual punishment? Or a natural consequence for people whose repeated anti-social violence poses a grave threat to society? Surely there must be less drastic solutions. Are prison and castration our only options for controlling anti-social hyper-masculinity, or can men learn to express their virility in positive ways that make them better people and make their communities stronger and safer? Will future scientists devise a way to adjust the hormone levels of an anti-social male without emasculating him? Or must we expect that war and violence, as they have always been part of human experience, will remain with us as long as there are humans?


I am reminded once again of that triangular diagram of human nature, as imagined by Plato and Aristotle, and recycled by Dante in his vision of Hell. The diagram shows Appetite and Will as the base of the triangle. Reason, the highest and best part of human nature, according to the Greeks, and for Christians the most divine part of our nature—the part that distinguishes us from other animals—is the small bit at the top of the triangle. Optimists have argued that we can use our reason to restrain our appetites and master our will. Recent studies in neuroscience, however, have suggested that our choices are made long before they reach the level of articulation, and that while we may think we are using our reason to make decisions, we are actually using our reason to ratify decisions already made unconsciously. Politics and current events in the 21st century would seem to support this view, especially when one considers the perverse reasoning used to justify bigotry, hatred, discrimination, and an appalling variety of atrocities.

Dante’s Hell is this same diagram, flipped upside down. As Virgil guides the Pilgrim down into the pit of Hell, they begin with the less serious sins—sins of the appetites—pass through the sins of willfulness, and finally reach the bottom of the pit, where the worst sins are punished: those that involve perversion of Reason, that divine gift of God to humans, for evil purposes. The logic is clear, but I am beginning to think that Dante got it wrong. When I consider the most pernicious human evils—racism, religious hatred, sexism and misogyny, and the hyper-masculinity that transforms these negative emotions into murderous violence—they seem to be rooted deep in our nature, in our appetites and our willfulness, in our psycho-biology. Reason has little to do with these dark impulses. We fear the Other, a fear based in our own insecurities, and that fear easily turns to hatred. Men’s insecurities respond to threats, as discussed above, with hyper-masculine violence both individual and collective. Can we be kind, loving, generous, even selfless? Of course . . . but only, it seems, if we have been blessed with situations in which our insecurities are not threatened. Here is Hamlet’s take:

What a piece of work is a man! How noble in reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? . . .

Use every man after his desert, and who should ‘scape whipping?

—II.ii

Ah, but Hamlet, as we know, was prone to melancholy.

Toxic Globalization: guns, drugs, oil, and music

Bread and circuses, my eye. Those Romans were amateurs.

Globalization began with Silk Road traders bringing bubonic plague to Europe, wiping out a third of the population.

It continued with Columbus and other Europeans bringing a catastrophic pandemic to the Americas in exchange for gold, silver, tobacco, tomatoes, and potatoes.

It reached a new high with the British triangle trade: guns and cotton fabric to West Africa in exchange for slaves who were taken to Caribbean and American colonies to work on sugar plantations and, later, cotton plantations. Sugar, rum, cotton—and lumber for shipbuilding—went from the colonies to Great Britain, completing the triangle.

Sugar was needed for the tea to which Britons had become addicted. The tea came from China, and as the Chinese wanted nothing British except silver, which the Brits did not want to part with, a two-pronged solution was conceived. First, they exported opium from another British colony, India (which included what we now call Afghanistan) to China and bullied the Chinese into trading tea for opium, eventually addicting millions of Chinese. Second, they stole the secrets of processing the leaves of Camellia sinensis into tea, and then developed tea plantations of their own in India and Ceylon (now called Sri Lanka).

In the 20th century, especially after World War II, globalization expanded. All those factories built to make weapons for the war needed new markets. Guns went to “developing” countries, i.e., former European colonies in Africa and Asia and Latin America; in return came illegal drugs to feed the growing addiction market in Europe and North America: marijuana, cocaine, and our old friend opium, now refined into heroin. The third major commodity of world trade was petroleum, without which international trade would have been much slower—petroleum, which literally fuelled automobile culture, the international travel industry, and the global environmental crisis.

Indispensable to all this commerce were bankers and gangsters.

Organized crime works by skimming profits, and globalization provided unprecedented business opportunities. Dictators and insurgents around the world needed weapons; gangsters could provide them, even where the commerce was prohibited by law. Weapons were often exchanged for drugs that could be exported and re-sold at enormous profits, using the clandestine networks developed by the gangsters. The dirty money acquired in these transactions needed to be cleaned (“laundered”) and that’s where bankers, casinos, and real estate developers came in.

In the United States, the sale of alcohol was made illegal in 1920. Prohibition led to an explosion of organized crime. Big money could be made running illegal breweries, distilleries, bars, and nightclubs, and importing alcohol from outside the country. During the Great War of 1914-1918, another wave of the Great Migration had swelled Black urban populations in the northern cities where factories churned out war matériel. They brought their music with them: gospel music, blues, ragtime, and jazz. An economic boom followed World War I. Urban populations had money to spend. Organized criminals supplied the music and the booze. At the same time, technology enabled recordings that could be distributed nationwide—and beyond—and radio broadcasts sent the new music into almost every home. Entertainment and music became industries controlled by organized crime. Musicians were kept in poverty by nightclub owners and record companies that skimmed most of the profits for themselves.

In Chicago, Al Capone adored the music and fostered an entire generation of music. In Harlem, the Mob-owned Cotton Club had as its house band the sophisticated Duke Ellington Orchestra. Kansas City had an entire district of jazz clubs . . . made possible by a corrupt political machine that served as a model for the Havana Mob [of the 1950s] as constructed by [the gangster Meyer] Lansky, [Cuban dictator Fulgencia] Batista, et al.

—T. J. English, Havana Nocturne, p. 244

After Prohibition ended in 1933, many of the gangsters switched to drugs: marijuana, cocaine, and heroin. (Others, most notably Meyer Lansky, disliked the drug trade and instead moved most of their operations to the casino business in Cuba.) Musicians were often paid in drugs, and their addictions provided a new market for the drugs being imported by the mafia while also ensuring that the musicians would remain dependent.

Musicians unwilling to perform and record on the gangsters’ terms simply could not work. Behind the scenes of almost any star singer, musician, band, or comedian you will find the mafia. Louis Armstrong hired a mobster, Joe Glaser, to be his manager, knowing that Glaser would enrich himself at Armstrong’s expense. Why? Because Glaser would protect him. Forty years later, five young men who later came to be known as The Band could not get a recording contract from anyone except the mobster Morris Levy; faced with the choice of getting ripped off or not recording at all, they signed with Levy. Such famous cases are not extraordinary—they are typical. The mob’s control of the “entertainment industry” was pervasive.

[1931, Chicago] By this time he had his big ‘Pistol—Pulling it out—As he said—”My name is ‘Frankie Foster.” And he said he was sent over to my place (Show Boat) to see that I ‘Catch the first train out to ‘New York. . . . Then He Flashed his Big ‘Ol’ Pistol and ‘Aimed it ‘Straight at ‘me. With my ‘eyes as big as ‘Saucers’ and ‘frightened too I said—”Well ‘Maybe I ‘Am ‘going to ‘New York.”

Louis Armstrong in His Own Words, p. 110

Instead of going to New York, Armstrong fled. He spent two years in Europe. When he returned, he hired Joe Glaser to be his manager, following the advice given to him by a friend when he left New Orleans:

[Black Benny] said (to me), “Dipper, As long as you live, no matter where you may be—always have a White Man (who like[s] you) and can + will put his Hand on your shoulder and say—“This is “My” Nigger” and, Can’t Nobody Harm’ Ya.”

There was a positive side to these relationships. Both Jews and Italians had been the victims of prejudice as immigrants, and neither group had quite the same racist aversions to Blacks as did the White Anglo-Saxon Protestant majority. Among many of these Italian and Jewish gangsters, Black musicians found protectors who shielded them from racist patrons and cops, bailed them out of jail, gave them a meal or a drink when they were down and out, or paid their rent, and employed them. There was also a significant number of Italian and Jewish performers—singers, comedians, musicians—who shared stages with Blacks and became friends, breaking the taboos of racism and leading the way toward a future of equality and justice. Overall, however, all performers were exploited by the gangsters, and white gangsters were just as racist as other whites.

In 1950s Cuba, Havana’s casinos, nightclubs, and brothels were mob operations that financed the Batista dictatorship. Hollywood movie stars, politicians like the young John Kennedy, along with many other celebrities and high-flyers provided a glamorous cover for this sordid arrangement. When the Castro revolution expelled the mob from Cuba, they retrenched to Las Vegas’s garish casinos and hotels, where middle-class Americans with money to spend could “let their hair down”: gambling, strippers, big-name entertainers, and lots of alcohol.

In the 1980s, Reagan’s deregulation of banking and finance made it possible for a new class of billionaires to suck money away from the middle classes into their own bulging pockets, until the U.S. wealth gap came to resemble the traditional wealth gaps in monarchies and dictatorships: a tiny group of the super-rich at the top, and then everyone else. The difference between this deregulated hedge-fund capitalism and the “pure capitalism” of organized crime? The hedge-fund guys had purchased legislators who made their operations legal.

Long before the 1980s, there were discreet but obvious ties between the Mob and “legitimate” businessmen. Frank Sinatra’s valet, George Jacobs, recounts a holiday gathering of gangsters in Palm Springs:

And it wasn’t just Sam Giancana. Throughout the day one mob boss after another showed up at [Sinatra’s] Alejo house. There was Johnny Rosselli, . . . a guy named Joe F. and another called Johnny F, and some others with Italian names no one could pronounce. Each guy came with at least one or two thick-necked bodyguards. . . .

That weekend I would drive Sam Giancana around Palm Springs to meet his visiting fellow mobsters, each of whom was staying in some gated mansion, not of celebrities but rather of the faceless fat cats from all over who owned manufacturing companies and heavy industry . . . . Those mobsters were certainly connected, although I’m not sure to whom.

Mr. S: The Last Word on Frank Sinatra, by George Jacobs and William Stadiem (2003)

Drugs and alcohol, guns, oil . . . an “entertainment industry” controlled by the same criminals who trade in guns and drugs . . . a corrupted banking industry facilitating the transfer of huge amounts of money . . . billionaires in super yachts while middle-class folks struggle to buy a home or pay medical bills or finance an education beyond high school . . . pandemics spreading worldwide faster than we can even track . . . a climate crisis that threatens to make much of the planet uninhabitable.

That’s what globalization has brought us, but like the addicts we are, we tolerate all the short-term side effects and long-term debilitation in return for the highs, the sweetness, the bliss. Without globalization, would we have Louis Armstrong, Miles Davis, The Beatles, The Rolling Stones, etc.? Would we have Olympic champions, the World Cup, the World Series, the Super Bowl, and all the amazing athletic achievements of the past century? Would we have dazzling holidays around the globe? Would we have restaurants serving up delicious ethnic cuisines in our home towns and “world music” on our playlists? The culture and economy spawned by globalization feed our addictions, both literal and metaphorical, and it seems inevitable that we will end up as all unreformed addicts do.

CODA

So, what are the “through lines” in this story?

  • Technology, from the wheels and sailing ships that connected China to Europe in the days of the Silk Road, to the cell phones and social media that connect everyone to everyone else today.
  • Genius and talent, funded by gangsters both legal and illegal. Think of the Florentine bankers who financed the Italian Renaissance, making Michelangelo and Leonardo possible; or the hedge fund billionaires who own the Los Angeles Dodgers, making Shohei Ohtani possible; or Werner von Braun, funded by Hitler, and then the US government; or the fabulous music of post-WWII Cuba, funded by the Mob’s casinos.
  • Addiction. To tea, to sugar, to alcohol and other drugs. To entertainment. To gambling. To sex. To shopping. To social media. To everything.
  • Environmental destruction. Coal. Petroleum. All the pesticides, herbicides, and chemical fertilizers required for industrialized agriculture. Air pollution, water pollution, soil contamination. Insect and bird populations, aquatic life, hundreds of other species extinct or in danger of extinction. All of this leading to climate change, mass migrations, and potentially making the planet uninhabitable.
  • Pandemics, from the bubonic plague to smallpox and syphilis to influenza to SARS and COVID and mpox, with more to come, we are told.
  • Exploitation of vulnerable populations. Of China by the British in the 18th century. Of Asia, Africa, and the Middle East by Europeans in the colonization that began with Columbus and continued for the best part of 500 years. In the “neo-colonial” economic imperialism of the Cold War era that followed decolonization and World War II, and continues today. Of women, trafficked around the world, both for sex and to labour in sweatshops where they help to feed the appetites of those who are better off for more and more things, at bargain-basement prices. Of migrants working illegally to process chickens or harvest vegetables so the rest of us can buy groceries at prices we can afford.

E. F. Schumacher, the author of Small Is Beautiful, was right. Aldous Huxley, in Brave New World, was right. Neil Postman, in Amusing Ourselves to Death, was right. But they were all, along with many others less well known, spitting in the wind of globalization. Me, too.


Further Reading

CODA #2

Listen to the younger son of independent Singapore’s founder, Lee Kuan Yew. The Lee family has controlled Singapore, poster child for the post-WWII Asian economic “miracle,” since 1965.

“There is a need for the world to look more closely, to see Singapore’s role as that key facilitator for arms trades, for dirty money, for drug monies, crypto money.”

A Singapore government spokesperson said the country had “a robust system to deter and tackle money laundering and other illicit financial flows”, pointing to its favourable ranking in Transparency International’s corruption perception index, well above the UK.

Duncan Hames, director of policy at Transparency International UK, said: “As Britain knows all too well, countries can look like they don’t have a domestic corruption problem yet still play a key role in enabling corrupt networks elsewhere. Singapore’s regional role as a major financial hub makes it attractive to those seeking to move or hide illicit funds, especially from a relatively high-risk neighbourhood.”

https://www.theguardian.com/world/2024/oct/22/son-of-singapore-founder-says-campaign-of-persecution-forced-him-to-seek-asylum-in-uk-lee-hsien-yang

Louis Barthas: the old lady and her garden

Louis Barthas (1879 – 1952) was a cooper (barrelmaker) from a small town in the south of France. He joined the army when war broke out in 1914 despite being a 35-year-old husband, the father of two young sons, and a socialist staunchly opposed to the war. During four years of service on the Western Front he kept a diary, and miraculously both he and his notebooks survived. He never thought to publish his war diaries, however; it was only his grandson, a school teacher, who recognized their value and brought them to the attention of a historian at a nearby university who arranged their publication in 1978. They were published in English as Poilu: The World War I Notebooks of Corporal Louis Barthas, Barrelmaker, 1914-1918. (Poilu in French means “hairy” or “bearded”; it is the slang term for the ordinary soldiers of the French army, similar to “Tommy” for the British soldiers, and “doughboys” for the Americans.)

In this passage from 1916, Barthas reveals his talents as a storyteller, his own quiet generosity, and his love for the simple pleasures of life. In early April, 1916, Barthas and his regiment have been relieved at the front and are resting behind the lines.

The long sojourn we had in this village was such that a great intimacy built up between the poilus and the inhabitants, especially among the ladies. Some idylls were kindled; there were some amorous adventures which became tied and untied. As for me, a loving and faithful husband, I won the affections of a lady of Lamotte.

But alas, for her and for me. The snows of sixty-five winters had colored her hair, and this lady was a poor old hag living with her husband in a shack at the far end of the village.

The husband, worn down by the years and by rheumatism, lay moaning in his bed. His wife used up her last reserves of strength making sure that her bits of field didn’t go fallow, as well as a rather large garden surrounding the thatched cottage, three-quarters of which were choked with thistles and other weeds.

I observed all this one day, when I was on my way to guard duty at the village’s exit points, this useless and ridiculous guard duty which they had set up according to established practice.

Except on Sundays, this guard duty was a sort of relief for the poilus; in exchange, you could cut out twenty-four hours of drills or parades. Only the four hours of night duty you’d pull could perhaps be wearisome for those who couldn’t appreciate the charm of solitude, of nocturnal silence, of contemplation of a starry sky, etc.

It’s true that, at this time, stinging April showers often troubled the poetic moonlit vigils. Then you would seek refuge in the clever little sentry boxes which the wicker workers had fashioned out of the boughs of the Crécy forest. But if the downpour lasted, you’d be chased out by the raindrops and find better shelter behind a wall. It was during one of my breaks between guard duty shifts that I picked up a tool and went to working, spading the old lady’s garden.

“But monsieur,” said the old lady, “you’re working for nothing. I’m too poor to pay you anything.”

“Don’t worry about that, grandma. I’ll stop by every day when I’m off duty, until your garden is in good shape and your potatoes are planted,” which she despaired about getting done in time.

In fact, four or five days later, the work was done. The old lady didn’t know how to express her thanks. She picked out for me the best apples in her cupboard, and I had to accept a coffee one evening. The old man wanted to be at the party, too, so we took our coffee in the sickroom.

As coquettish as any daughter of Eve, the old lady showed me her portrait at age twenty, and the old codger smiled impishly, as if to say, “You see, we were young once, and we were carefree in those days.”

And I had to listen to the tales of their young love. They were about to be married when the war broke out—the war of 1870, that is. He went off in the Garde Mobile. Once peace was signed, he hurried back to Lamotte to find his fiançee, but the Prussians were still occupying the region and the village. The marriage was put off. From morning to evening he was at her house, attending to her every need. One day, they were having a cozy tête-à-tête at home, which they hardly ever left, when a rude and insolent Unteroffizier burst in. He claimed that he needed some information, but his true purpose was to harass the lovers. He went so far as to try to kiss the young woman, right in front of her fiancé.

Evoking these distant memories, the old lady turned red with indignation, as if she could still feel the lips of the Boche.

But the story isn’t finished. The young man—now an old codger, nailed to his bed—had to defend the honor of his Picard blood, and to avenge the outrage he slapped the German on both cheeks.

The [German] dashed out more quickly than he had come in, but he came back a moment later with a squad of policemen who seized the unlucky fiancé and dragged him off to jail, under a rain of blows and kicks.

The cantonment’s [German] commander was a captain who inspired real terror among the inhabitants for his severity, his brutal discipline. He decided to set an example, to make it known that whoever dared to raise a hand against a German non-com would be shot the very next day.

He had no idea of the circumstances which brought on this incident. But luckily for our pair of young lovers, he was billeted at the home of the town’s mayor, who told him the whole story.

The terrifying officer summoned the young girl, the heroine of the story, to his office. She presented herself, fearful and faltering. There also appeared the ungallant non-com, who was forced to confess his misdeeds.

The next day they released the young Frenchman who was expecting to be shot. Three days later the village was delivered from German occupation. And our two young folks got married, loved each other, and had many children, now either dead or living far away. And they remained there, at home in the poor thatched cottage, from which only death would take them away.

The prescience of Henry Adams

Henry Adams (1838 – 1918) was the great-grandson of John Adams, the American revolutionary and second President of the United States. His grandfather, John Quincy Adams, was the sixth President of the United States. His father, Charles Francis Adams, Sr., was Lincoln’s ambassador in London. Henry Adams served as his father’s private secretary in London. In 1862 he wrote the following in a letter to his elder brother, Charles Francis Adams, Jr.:

I firmly believe that before many centuries more, science will be the master of men. The engines he will have invented will be beyond his strength to control. Someday science may have the existence of mankind in its power, and the human race commit suicide, by blowing up the world.

Two more of his observations that resonate in our own troubled times:

Modern politics is, at bottom, a struggle not of men but of forces. The men become every year more and more creatures of force, massed about central power-houses. The conflict is no longer between the men, but between the motors that drive the men, and the men tend to succumb to their own motive forces. . . .

The Trusts and Corporations stood for the larger part of the new power that had been created since 1840, and were obnoxious because of their vigorous and unscrupulous energy. They were revolutionary, troubling all the old conventions and values, as the screws of ocean steamers must trouble a school of herring. They tore society to pieces and trampled it under foot.

The Education of Henry Adams (1907)

 

The most ferocious animal on the face of the earth

When I looked around the verdant recess in which I was buried, and gazed up to the summits of the lofty eminence that hemmed me in, I was well disposed to think that I was in the ‘Happy Valley’, and that beyond those heights there was naught but a world of care and anxiety. As I extended my wanderings in the valley and grew more familiar with the habits of its inmates, I was fain to confess that, despite the disadvantages of his condition, the Polynesian savage, surrounded by all the luxurious provisions of nature, enjoyed an infinitely happier, though certainly a less intellectual existence than the self-complacent European.

The naked wretch who shivers beneath the bleak skies, and starves among the inhospitable wilds of Tierra-del-Fuego, might indeed be made happier by civilization, for it would alleviate his physical wants. But the voluptuous Indian, with every desire supplied, whom Providence has bountifully provided with all the sources of pure and natural enjoyment, and from whom are removed so many of the ills and pains of life—what has he to desire at the hands of Civilization? She may ‘cultivate his mind—may elevate his thoughts,’—these I believe are the established phrases—but will he be the happier? Let the once smiling and populous Hawaiian islands, with their now diseased, starving, and dying natives, answer the question. The missionaries may seek to disguise the matter as they will, but the facts are incontrovertible; and the devoutest Christian who visits that group with an unbiased mind, must go away mournfully asking—‘Are these, alas! the fruits of twenty-five years of enlightening?’

In a primitive state of society, the enjoyments of life, though few and simple, are spread over a great extent, and are unalloyed; but Civilization, for every advantage she imparts, holds a hundred evils in reserve;—the heart-burnings, the jealousies, the social rivalries, the family dissentions, and the thousand self-inflicted discomforts of refined life, which make up in units the swelling aggregate of human misery, are unknown among these unsophisticated people.

But it will be urged that these shocking unprincipled wretches are cannibals. Very true; and a rather bad trait in their character it must be allowed. But they are such only when they seek to gratify the passion of revenge upon their enemies; and I ask whether the mere eating of human flesh so very far exceeds in barbarity that custom which only a few years since was practised in enlightened England:—a convicted traitor, perhaps a man found guilty of honesty, patriotism, and suchlike heinous crimes, had his head lopped off with a huge axe, his bowels dragged out and thrown into a fire; while his body, carved into four quarters, was with his head exposed upon pikes, and permitted to rot and fester among the public haunts of men!

The fiend-like skill we display in the invention of all manner of death-dealing engines, the vindictiveness with which we carry on our wars, and the misery and desolation that follow in their train, are enough of themselves to distinguish the white civilized man as the most ferocious animal on the face of the earth.

—Herman Melville, Typee (1846). Chapter XVII.

From Wikipedia:

Of all the major island groups of the Pacific, the Marquesas Islands suffered the greatest population decline as a result of Eurasian endemic diseases carried by European explorers, which resulted in epidemics, particularly of smallpox, to which they had no acquired immunity. The estimated 16th-century population of over 100,000 inhabitants, was reduced to about 20,000 by the middle of the nineteenth century, and to just over 2,000 by the beginning of the 1900s.

Freedom: Where is Goldilocks when we need her?

In his Confessions, Saint Augustine writes, “As a youth I prayed, ‘Give me chastity and continence, but not right now.'” Today we all ought to be praying, “Give us freedom, but not too much.”

Ah, but how much is too much?

Imagine centuries of monarchy in Europe, first during the Roman Empire and continuing into the 19th century. Small elites of military rulers allied with landowners and the Church at the top; large masses of peasants doing the work and living the life that Hobbes described: “poore, nasty, brutish, and short.” Clearly, not enough freedom.

A few revolutions bring us to 19th-century Europe and the rise of the middle class. Increasing prosperity, security, peace. . . and boredom. Money-making. Respectability. Social conventions. Manners. Sexual repression. Hypocrisy. The suffocating nature of Alfred Doolittle’s “middle-class morality” permeates European literature of the 19th and early 20th centuries. It could still be found in the North American suburbs of the 1950s.

In Europe the reaction against bourgeois life centred in France, and especially in Paris. Liberation from middle-class morality, religion, art, and literature led to sexual promiscuity, drug and alcohol abuse, and artistic experimentation that broke away from convention in every way conceivable. This cry of freedom continued into the 20th century, with even better drugs (heroin instead of opium; then LSD, etc.), more and more vulgarity and sexual exhibitionism, and further attacks on traditional artistic conventions: narratives with no coherent plot, musical “compositions” with no sound, etc. The question, “What is art?” was confidently answered: anything you want it to be. Freedom!

Enter D. H. Lawrence:

Liberty is all very well, but men cannot live without masters. There is always a master. And men either live in glad obedience to the master they believe in, or they live in a frictional opposition to the master they wish to undermine.

As I look around today, I see a lot of frictional opposition and very little glad obedience. Returning to king and church, however, hardly seems an attractive solution. Some of the early middle-class rebels, frightened and appalled by their experiments with freedom, fled back to their roots and transformed into political reactionaries and religious zealots: Rimbaud, for example, who became a colonial capitalist and died in the arms of the Church. This is Goldilocks jumping from the bed that is too soft to the one that is too hard.

Life is biological, and freedom is like blood pressure: neither too much nor too little is a good thing. The question is, can humans restrain themselves? Or can they be saved from themselves only if they submit to an autocratic State and Church?

Here is Lawrence again:

Men are free when they are in a living homeland, not when they are straying and breaking away. Men are free when they are obeying some deep, inward voice of religious belief. Obeying from within. Men are free when they belong to a living, organic, believing community, active in fulfilling some unfulfilled, perhaps unrealized purpose. Not when they are escaping to some wild west. The most unfree souls go west, and shout of freedom. Men are freest when they are most unconscious of freedom. The shout is a rattling of chains, always was.

Men are not free when they are doing just what they like. The moment you can do just what you like, there is nothing you care about doing. Men are only free when they are doing what the deepest self likes.

And there is getting down to the deepest self! It takes some diving.

Because the deepest self is way down, and the conscious self is an obstinate monkey. But of one thing we may be sure. If one wants to be free, one has to give up the illusion of doing what one likes, and seek what IT wishes done.

On the other side, we have Dostoyevsky:

But yet all his life he loved humanity, and suddenly his eyes were opened, and he saw that it is no great moral blessedness to attain perfection and freedom, if at the same time one gains the conviction that millions of God’s creatures have been created as a mockery, that they will never be capable of using their freedom, that these poor rebels can never turn into giants to complete the tower, that it was not for such geese that the great idealist dreamt his dream of harmony. Seeing all that he turned back and joined—the clever people. . . .

In his old age he reached the clear conviction that nothing but the advice of the great dread spirit could build up any tolerable sort of life for the feeble, unruly, ‘incomplete, empirical creatures created in jest.’ And so, convinced of this, he sees that he must follow the counsel of the wise spirit, the dread spirit of death and destruction, and therefore accept lying and deception, and lead men consciously to death and destruction, and yet deceive them all the way so that they may not notice where they are being led, that the poor blind creatures may at least on the way think themselves happy. And note, the deception is in the name of Him in Whose ideal the old man had so fervently believed all his life long. Is not that tragic?

How many of us can dig down to Lawrence’s “deepest self”? How many of us are more likely to surrender our freedom when it becomes too unruly and chaotic? As Alfred Doolittle says, “I put it to you; and I leave it to you.”

Notes

  1. Thomas Hobbes, Leviathan
  2. Alfred Doolittle: in G. B. Shaw’s play, Pygmalion.
  3. D. H. Lawrence, Studies in Classical American Literature     
  4. Fyodor Dostoyevsky, The Brothers Karamazov

1782: Edward Gibbon describes the Germans and reveals himself

Edward Gibbon’s famous history may be reliable at some points, highly dubious at others. It does, however, provide a reliable portrait of its author. We see his wide learning and erudition. We feel his supreme self-confidence as he makes one bold assertion after another. We see the influence of his social class, his era, and his nationality in his unexamined assumptions about “civilization,” “savages,” and “barbarians.” (The same terms were often used by Europeans to describe the indigenous peoples of the Americas.) We see his respect for Christianity and corresponding disdain for pre-Christian, polytheistic religions. We see his disapproval of gambling, drunkenness, and infidelity, and his patriarchal attitude toward women. These oft-quoted passages about the Germanic tribes during the Roman Empire may or may not be reliable when it comes to the Germans, but they provide a clear portrait of their author. Writing reveals the writer.

From Edward Gibbon, The Decline and Fall of the Roman Empire, Vol. 1, Chapter IX (1782):

The Germans, in the age of Tacitus [ca. 56-120 A.C.E.], were unacquainted with the use of letters; and the use of letters is the principal circumstance that distinguishes a civilized people from a herd of savages incapable of knowledge or reflection. Without that artificial help, the human memory soon dissipates or corrupts the ideas intrusted to her charge; and the nobler faculties of the mind, no longer supplied with models or with materials, gradually forget their powers; the judgment becomes feeble and lethargic, the imagination languid or irregular. Fully to apprehend this important truth, let us attempt, in an improved society, to calculate the immense distance between the man of learning and the illiterate peasant. The former, by reading and reflection, multiplies his own experience, and lives in distant ages and remote countries; whilst the latter, rooted to a single spot, and confined to a few years of existence, surpasses but very little his fellow-labourer, the ox, in the exercise of his mental faculties. The same, and even a greater, difference will be found between nations than between individuals; and we may safely pronounce, that without some species of writing, no people has ever preserved the faithful annals of their history, ever made any considerable progress in the abstract sciences, or ever possessed, in any tolerable degree of perfection, the useful and agreeable arts of life.

Of these arts, the ancient Germans were wretchedly destitute. They passed their lives in a state of ignorance and poverty, which it has pleased some declaimers to dignify with the appellation of virtuous simplicity. . . . The value of money has been settled by general consent to express our wants and our property, as letters were invented to express our ideas; and both these institutions, by giving a more active energy to the powers and passions of human nature, have contributed to multiply the objects they were designed to represent. . . . Money, in a word, is the most universal incitement, iron the most powerful instrument, of human industry; and it is very difficult to conceive by what means a people, neither actuated by the one, nor seconded by the other, could emerge from the grossest barbarism.

In the dull intervals of peace, these barbarians were immoderately addicted to deep gaming and excessive drinking; both of which, by different means, the one by inflaming their passions, the other by extinguishing their reason, alike relieved them from the pain of thinking. They gloried in passing whole days and nights at table; and the blood of friends and relations often stained their numerous and drunken assemblies. . . .

Strong beer, a liquor extracted with very little art from wheat or barley, and corrupted (as it is strongly expressed by Tacitus) into a certain semblance of wine, was sufficient for the gross purposes of German debauchery. . . .

A warlike nation like the Germans, without either cities, letters, arts, or money, found some compensation for this savage state in the enjoyment of liberty. Their poverty secured their freedom, since our desires and our possessions are the strongest fetters of despotism. . . . A people thus jealous of their persons, and careless of their possessions, must have been totally destitute of industry and the arts, but animated with a high sense of honour and independence. . . .

“In the days of chivalry, or more properly of romance, all the men were brave and all the women were chaste;” and notwithstanding the latter of these virtues is acquired and preserved with much more difficulty than the former, it is ascribed, almost without exception, to the wives of the ancient Germans. Polygamy was not in use, except among the princes, and among them only for the sake of multiplying their alliances. Divorces were prohibited by manners rather than by laws. Adulteries were punished as rare and inexpiable crimes; nor was seduction justified by example and fashion. We may easily discover that Tacitus indulges an honest pleasure in the contrast of barbarian virtue with the dissolute conduct of the Roman ladies; yet there are some striking circumstances that give an air of truth, or at least probability, to the conjugal faith and chastity of the Germans. . . .

Although the progress of civilization has undoubtedly contributed to assuage the fiercer passions of human nature, it seems to have been less favourable to the virtue of chastity, whose most dangerous enemy is the softness of the mind. The refinements of life corrupt while they polish the intercourse of the sexes. The gross appetite of love becomes most dangerous when it is elevated, or rather, indeed, disguised by sentimental passion. The elegance of dress, of motion, and of manners, gives a lustre to beauty, and inflames the senses through the imagination. Luxurious entertainments, midnight dances, and licentious spectacles, present at once temptation and opportunity to female frailty. From such dangers the unpolished wives of the barbarians were secured by poverty, solitude, and the painful cares of a domestic life. The German huts, open, on every side, to the eye of indiscretion or jealousy, were a better safeguard of conjugal fidelity than the walls, the bolts, and the eunuchs of a Persian harem. To this reason another may be added of a more honourable nature. The Germans treated their women with esteem and confidence, consulted them on every occasion of importance, and fondly believed, that in their breasts resided a sanctity and wisdom more than human. . . . In their great invasions, the camps of the barbarians were filled with a multitude of women, who remained firm and undaunted amidst the sound of arms, the various forms of destruction, and the honourable wounds of their sons and husbands. . . . The sentiments and conduct of these high-spirited matrons may, at once, be considered as a cause, as an effect, and as a proof of the general character of the nation. . . .

The religious system of the Germans (if the wild opinions of savages can deserve that name) was dictated by their wants, their fears, and their ignorance. They adored the great visible objects and agents of nature, the Sun and the Moon, the Fire and the Earth; together with those imaginary deities, who were supposed to preside over the most important occupations of human life. They were persuaded, that, by some ridiculous arts of divination, they could discover the will of the superior beings, and that human sacrifices were the most precious and acceptable offering to their altars. Some applause has been hastily bestowed on the sublime notion, entertained by that people, of the Deity, whom they neither confined within the walls of the temple, nor represented by any human figure; but when we recollect, that the Germans were unskilled in architecture, and totally unacquainted with the art of sculpture, we shall readily assign the true reason of a scruple, which arose not so much from a superiority of reason, as from a want of ingenuity. The only temples in Germany were dark and ancient groves, consecrated by the reverence of succeeding generations. Their secret gloom, the imagined residence of an invisible power, by presenting no distinct object of fear or worship, impressed the mind with a still deeper sense of religious horror; and the priests, rude and illiterate as they were, had been taught by experience the use of every artifice that could preserve and fortify impressions so well suited to their own interest.

. . . A solemn procession was occasionally celebrated in the present countries of Mecklenburgh and Pomerania. The unknown symbol of the Earth, covered with a thick veil, was placed on a carriage drawn by cows; and in this manner the goddess, whose common residence was in the Isles of Rugen, visited several adjacent tribes of her worshippers. During her progress the sound of war was hushed, quarrels were suspended, arms laid aside, and the restless Germans had an opportunity of tasting the blessings of peace and harmony. . . .

Such was the situation, and such were the manners of the ancient Germans. Their climate, their want of learning, of arts, and of laws, their notions of honour, of gallantry, and of religion, their sense of freedom, impatience of peace, and thirst of enterprise, all contributed to form a people of military heroes. . . .

Leviticus, progressive humanitarian

Leviticus 24:17-20 reads as follows:

Whoever takes a human life shall surely be put to death. . . .If anyone injures his neighbour, as he has done it shall be done to him, fracture for fracture, eye for eye, tooth for tooth; whatever injury he has given a person shall be given to him.

Man, that Old Testament sense of justice was tough, eh? Let’s see.

On October 7th, according to Israeli data, 1,139 Israelis were killed.

Since then, news reports estimate 27,000 Palestinians killed in Gaza.

That means that almost 24 Palestinians have been killed for every Israeli killed on October 7th.

If we round that number down to 20, we can revise Leviticus as follows:

Whoever takes a human life shall surely be put to death, along with 19 of his friends, neighbours, and family members. . . . If anyone injures his neighbour, as he has done it shall be done to him, 20 fractures for every fracture, 20 eyes for every eye, 20 teeth for every tooth; whatever injury he has given a person shall be given to him, 20 times over.

Makes you glad you weren’t born into that primitive Old Testament world, don’t it?

An age of pessimism?

It would sometimes seem as if this period had been particularly unhappy, as if it had left behind only the memory of violence, of covetousness, and mortal hatred—as if it had known no other enjoyment but that of intemperance, of pride, and of cruelty. Now, in the records of all periods misfortune has left more traces than happiness. Great evils form the groundwork of history. We are perhaps inclined to assume, without much evidence that, roughly speaking, and notwithstanding all calamities, the sum of happiness can have hardly changed from one period to another. But in the 15th century, as in the epoch of Romanticism it was, so to say, bad form to praise the world and life openly. It was fashionable to see only its suffering and misery; to discover everywhere signs of decadence and of a near end—in short, to condemn the times, or to despise them.

—Johan Huizinga, The Waning of the Middle Ages

The task was to make Germany great again

From Hitler and the Collapse of Weimar Germany, by Martin Broszat (1984):

In the depressed situation following the German defeat [in World War I, Hitler] could generalise and politicise his feelings of personal bitterness and hatred which were rooted in his own failure and his rejection of the unpleasant realities of life and which had led him, already as an adolescent, to develop fantastic plans for the future and to evade regular employment. . . . The task was to . . . make Germany great again.

The themes of speeches which he was making in 1920 in Munich beer halls by their dozens were the same: the ‘shame of the Versailles Treaty’, the enemies within who had stabbed the nation in the back, . . . and, invariably, the ‘Jewish Question’. . . .

Early verdicts on his style were: a ‘born popular orator’, ‘masterly’ or ‘extremely skilful’. . . . He knew how to stimulate his audiences . . . by resorting to biting sarcasm. He ridiculed his opponents as ‘liars’ or spoke of the ‘miserable weaklings’ in the government and in other political parties. Police reports almost always noted that there was ‘lively applause’, ‘tempestuous applause’ or ‘long-lasting applause’ at the end of his appearances. . . . The anti-Nazi press . . . dubbed him an ‘extremely cunning demagogue’ or ‘leader of an anti-Semitic’ party. . . . He knew how to wrap his constant call to fight the ‘parasites’ and ‘enemies of the people’ in a solemn appeal to show national pride and to believe in Germany’s strength . . . . He could talk of the rebirth of the nation in a tone of religious conviction . . . .

. . . To be successful and to gain power was synonymous . . . with drawing attention to oneself and with attracting the masses. . . . New propaganda methods which had been developed first and foremost by Hitler assumed great significance. . . .

Hitler’s messianic power and dynamism also drove wealthy supporters and patrons into his arms . . . .

Provocative brutalities, especially if directed against the ‘Socialists’, . . . were also designed to command the respect of the middle classes . . . . His antics gained the respect of sympathetic circles in Munich’s high society . . . . His reputation was that of a political enfant terrible who succeeded in arousing an almost morbid interest in himself . . . .

The notion that actual fighting was required rather than passive resistance prepared the ground for the formation of a block of radical paramilitary groups . . . .

. . . On 15 November 1930 . . . every tenth person . . . was without a job. . . . The worst hit were the 14 to 18-year-olds who had just left school.

The first reaction of the high-brow bourgeois-liberal press of Berlin to the Nazi success was one of stunned horror. The leader writer of the Berliner Tageblatt (16 September 1930) found it impossible to take in the ‘monstrous fact’ that ‘six million and four hundred thousand voters in this highly civilised country had given their vote to the commonest, hollowest and crudest charlatanism’.

. . . Professor Hans von Eckart . . . [wrote that] “the Nazis . . . are, above all, people who . . . have simply seized a first opportunity of participating and who have hitherto not yet been able to be politically active.”

. . . This was also the soil in which Goebbels’s propaganda ideas began to flourish. . . . [in Der Angriff, the Nazi newspaper]. Police and courts were constantly ridiculed. The paper published anti-Semitic cartoons of people in authority. . . .

. . . Goebbels . . . publicly bragg[ed] about the dozens of prosecutions which had been started against him. . . . At subsequent mass rallies, Goebbels [was] cocky, arrogant and provocative as ever . . . . [He] was fined 1,600 marks for making defamatory statements . . . .

. . . Hitler . . . in a trial against three officers who had joined the Nazi Party . . . declared: ‘Here I stand swearing an oath before God, the Almighty. I say to you that, once I shall have come to power by legal means . . . a few heads will roll in the sand . . . ‘.

. . . The basic aim was the further erosion of the Republic’s stability . . . .

The bourgeois-conservative parties . . . were in principle prepared to bring the Nazis into the government. They hoped that giving them political responsibility would neutralise their demagogy. . . .

. . . The Nazis were intent on using violence in order to prove . . . that law and order had broken down . . . .

. . . National Socialism . . . had barely anything in common with the ‘old’ school of culture and rigorous intellectual discourse which still informed the major political thought systems . . . . Nazi ideology was almost totally a product of mass culture and political semi-literacy . . . , unsophisticated sloganeering which drew on the ‘scrapheap of ideas current in this period’ . . . , [and] popularised snippets of ideas and dogmas . . . combined with a political-emotional attachment . . . . used for the deliberate simplification of political world-views and . . . the creation of a political myth for the masses.

. . . [The] essential elements of the late Nazi ideology were . . . a virulent anti-Semitism, a blood-and-soil ideology, the notion of a master race, the idea of territorial acquisition and settlement in the East. These ideas were . . . anti-modernist, anti-humanist, and pseudo-religious.

. . . Criticism of bourgeois security and rationality had become vehement and widespread. This criticism also expressed itself in various life-reform movements and avant-garde artistic trends, in the pedagogical reform movement and, above all, in the Youth Movement . . . .

. . . The First World War was to cause the decisive seismic shift in the country’s political culture. This was the soil in which Nazism was to grow. . . . Young peasants and land labourers returned with changed personalities, after the war had torn them from the slow-moving pace of provincial life and had thrown them into the ‘wide world’ and onto the stage of fateful national developments. . . . [Their] largely unpolitical life-styles far removed from the centre of national affairs had become politicised primarily via the nationalist experience of the war. . . . Both the central government and the national political parties had traditionally neglected the provinces . . . . Rural protesters who had been shaped by the war experience provided massive recruitment grounds for the incipient fascist movements.

“Pigeon Tunnel,” by John Le Carré

John Le Carré’s memoir, Pigeon Tunnel (or is it David Cornwell’s memoir?) teems with con-men, fraudsters, spies, criminals, assassins, political subversives, and a gaggle of celebrities and one-percenters with whom they rub elbows at cocktail parties. I have never met any of the above, to my knowledge. Le Carré a.k.a. Cornwell’s elegantly-recounted anecdotes fascinated me, but the fascination gradually wore down to a residue of annoyance. Are there no ordinary people in Le Carré’s world? No loving mothers and fathers who do honest work, raise their kids as best they can, follow the rules, abide by the laws, and try to be the best people they can be? No. Such people do not make for exciting novels, which is why they are largely absent from Le Carré’s spy thrillers. Weirdly, though, they seem to have been equally absent from David Cornwell’s life. 

Immediately upon finishing Pigeon Tunnel, however, I listened to the most recent episode of Rob Reiner’s podcast series, Who Killed JFK?, and there they were again: spies, assassins, criminals, political subversives. Then I recalled reading somewhere that the three most valuable commodities in world trade were petroleum, weapons, and illegal drugs—all of which required the services of often-crooked lawyers and international bankers—and the world began to look again more like David Cornwell’s world. And I remembered one of my favourite Chinese phrases, 他们都是流氓: they are all gangsters. I am reminded, too, of Harry Lime in The Third Man, when he meets Holly Martins in Vienna’s Prater and looks down from the top of the Riesenrad at the tiny figures below. “Victims? Don’t be melodramatic. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax – the only way you can save money nowadays.”

So, are we deluded and naïve, we ordinary people who go to school and go to work and read books and listen to music and watch movies—do we live in willful ignorance on the fringes of a world fueled by greed and criminality? Or are the drug dealers and arms dealers and crooked bankers the deluded ones, fatuously believing that diamonds and caviar make life worth living?

Who are the suckers? Discuss.

Earl Palmer remembers . . .

Excerpts from Backbeat: Earl Palmer’s Story, by Tony Scherman—long out of print, but wonderful. Earl Palmer was a first-call session drummer in Los Angeles from the late 50s into the 80s, but got his start in New Orleans (where he began as a boy tap-dancer) making records with Fats Domino and Little Richard. He is credited with inventing the straight-eighths beat on the hi-hat or cymbal that is characteristic of rock ‘n roll, and says that he got the idea from Little Richard’s straight eighth-note pounding on the piano. He is the drummer on hundreds of hit songs from the 1960s and 1970s, but also recorded film scores, TV jingles, etc., in almost every musical genre. He could sight-read almost anything, and also did a bit of arranging and composing.

Three of us in that group were the best jazz players in New Orleans at the time: Edward Frank , Red , and me. Sam Mooney never became well known but he was a good guitar player. Ellis Marsalis used to sub for Frank and sometimes for Tyler; sometimes he’d even play Earl’s bass. We welcomed that, because Earl couldn’t play. We used to cheer every time he hit a note that was actually in the chord. The people thought we were crazy. Earl had never gone near a bass, he just didn’t want to hire a bass player.

————————

[Racism in New Orleans]: White musicians who were in town at the Roosevelt came down . It wasn’t their fault they couldn’t take you downtown; you knew they couldn’t do a damn thing about it. 

I saw a white guy get thrown off a city bus once for sitting in the black section. “Can’t sit there, it’s the black section.”

“I can sit anywhere I want.”

“Not with niggers you can’t.” Threw him off the bus. One time Mike Sherpas, a white trumpet player we called Cheese, painted himself green. Got on the bus and said, “Where do you want me to sit, I’m green!” Threw him off, too.

————————

Me and Rene Hall and Plas Johnson always talked about how we could make some money and not leave the studio. One day I said, “Let’s do a rock version of ‘In the Mood.’”

“‘In the Mood’?”

Bought my house on it. 

You see, back in New Orleans millions of old white guys always said, “By God, do you boys know ‘In the Mood’?” If they liked it so much, why wouldn’t their kids, if we put a rock-and-roll beat to it? Rene and Plas said, “Okay, write an arrangement,” so I did. We put it under Ernie Fields, an old bandleader wasn’t doing nothing. It was a big, big hit. It went to number 4—that’s pop, not no R&B chart. We never did another thing, but it worked once. I’m telling you, “In the Mood.”

————————

When it really dawned on me that I could do this was when I had to play cartoon music, the hardest music I ever had to play. . . . Tom and Jerry fucking cartoons. . . . That music looked like fly shit, notes all over. 

————————

Rene Hall arranged everyone’s records. His stuff wasn’t my favorite but I admired one thing, the simplicity of it. “You Send Me,” that’s a perfect example of simplicity, I can’t think of any arrangement that could have been better for that tune. . . . 

I remember the stop-time in the bridge made me think of tap dancing. You know, that may have been my idea. I sort of remember suggesting that. 

————————

There was an engineer out there, I won’t call his name; somebody must have asked him what he thought once, and from then on he had to assert himself. Come a time he picked the wrongest thing in the world to say to the wrongest person and boy, when he said it the studio got to where you could hear a mouse piss on cotton. Because Red Callender was very, very particular about tuning his bass. Red was known to have great pitch, he was known to hit the note. So this engineer, sounding very authoritative, says to Red one day, “By the way, Red, I think you’re a little out of tune.”

Everybody say, “Oh shit.”

“Out of tune, you say?”

“Yeah, Red, a little bit.”

Red looks at the cat like he’s staring at an ant.

“And how in the fuck would you know?”

————————

Curt Wolf had the thickest German accent you could ever hear. I used to say, “Curt, man, when you going to speak English?” He’d say, “I em spicking Engglish, Airl!” 

————————

During a coffee break the subject came up about Orval Faubus, the segregationist in Arkansas. This same guy’s opinion was, “Segregation is a terrible thing, but those people,” meaning us, “have to be patient. Things like that don’t change overnight.”

He turned to me and said, “Do you or don’t you agree with me?”

I said, “Man, that’s a rough question.” I kept scratching my head. He didn’t notice I was stepping on his toe, harder and harder.

“Hey, you’re hurting my toe!” he finally yells. 

“Have a little patience, man. I’ll get off in a minute.”

He got my point. We became good friends.

————————

[Phil] Spector wasn’t an arranger of notes; I don’t know if he could write no notes at all. He was an arranger of ideas, of the elements that make a hit record. If there is any genius in him, that’s where it was. He had his finger on what other producers would die for: he knew what the kids wanted to hear. But you ain’t getting me to accept him as no musician.

————————

Sarah Vaughan was a chick that liked to hang. She was the Hang Out Queen, outhang anybody, drinking and getting high, day and night, talking and laughing and joking. . . . She had a mouth, too. Guys got furious at her but they took a swing at you. Anytime you was with her, you ran the risk of getting punched.

————————

The first time I met Ike [Turner] he’d just come in town. He wanted to pay everybody cash. I said I didn’t work for no cash. He starts to cuss me out and opens a briefcase with stacks of cash and a gun. That’s about what I expected. I’d heard he was a thug.

“Who the hell are you?” he says.

“I’m Palmer, and I don’t work no cash dates. I’m a union musician.”

“What I’m supposed to do, make out a contract just for you?”

“You going to have to do something like that, because I don’t want no cash money. When I get fined fifteen hundred dollars by the union, are you gonna pay?” He wound up filing a contract for me alone.

————————

[Bobby Darin]: He was head above shoulders more professional than most of the little singers I was doing around then: Paul Anka, Fabian, Bobby Rydell. Wayne Newton was a long-legged short-torso kid but Darin struck me as professional right off the bat.

————————

Paul Revere & the Raiders . . . was Hal [Blaine]’s client. . . .  

Teddy Reig asked me to do Manufacturers of Soul,  Basie’s album with Jackie Wilson. Harold Jones, Basie’s drummer at the time, didn’t play rock, which is part of why Teddy hired me. At the session he asked me, “What can we do to make these charts a little more commercial?”

“One thing, we could try using a tambourine.”

“Who can we get to play tambourine? Larry Bunker?” That made no sense—a top-notch percussionist, just to play tambourine?

“Man, let Harold play tambourine,” I said. 

“Can he?”

“All niggers play tambourine, Teddy.” Harold Jones played tambourine and got paid for it. I still have a medallion he gave me for that.

Teddy once tried to hire me to join Basie. “There was a time I would have paid to join this band,” I told him, “but I can’t afford to now.” Teddy said he understood. I said, “Man, I’m probably go home and get drunk after this.”

————————

They made a movie called Zachariah, a real hokey satire on cowboy days. Elvin Jones played a gunslinger. In his big scene, instead of saying, “Draw,” he says, “Gimme them drumsticks” and plays a big solo. . . .

Anyway, somehow or other the sound got messed up. The drum solo had to be played all over again. Jimmy [Haskell] told the producers, “Oh yeah, we can do that.”

I said, “Wait a minute. I’m not going to do this. I’m not going to fucking do this, man.”

Haskell said, “Why not?”

“Do you know who this is? I can’t match Elvin, nobody can. The man is a genius.” Finally I said, “All right. Give me two hours.” I took my lunch and a Moviola machine and some music paper, went across the alley into a little room, and transcribed Elvin’s whole solo. Took me two-and-a-half hours to  write out a five-minute solo.  Then I played it. I not only got paid overtime, I got a bonus when they realized how hard that was and how near it came to being perfect.

————————

NUMEROUS DATES, 1970-74 — BAKED POTATO, SWEETS EDISON. Sundary nights, always a Sunday night. Never paid much, twenty bucks, but we drank for free and got a lot of coke. Don Randi, who owned the place, asked me about getting a group in there. I said, “Why don’t you get Sweets? He’s going to bring all the pimps and hookers in. Every musician that comes in town going to come by and see Sweets.” Sure enough, the Basie band came through and they all sat in. Ellington band, same thing. Red Foxx came in to work out his nightclub routine; he’d get up there and stay an hour or more. The band was me, Sweets, Plas Johnson, Dolo Coker on piano, Larry Gales on bass. That’s some of the best jazz I played here. Sweets is a stylist, a great stylist: the minute you hear him you know him. . . .

JANUARY 18, 1973 —  INAUGURATION, $1,500.00. Don Costa, Sinatra’s man, was musical director of the thing. Sinatra was emcee. . . . As it turned out, everybody brought their own band, so I wound up only playing with Roger Miller. All I had to do was walk around tasting hors d’oeuvres here and there. Since I was with Sinatra’s man, they gave me a Secret Service button that let me go in any room I wanted. All the guests are wondering, Who is he? They didn’t have many black Republicans then to speak of, so they all figure this is somebody they should know and don’t. It dawns on me: they’re worried. They don’t know who this nigger Republican is that’s big enough to be in this particular room. Who is this nigger? That’s exactly what they thinking. Who is this nigger? For him to be in here, must be somebody we supposed to know! I’m reading their minds. Who is this nigger? Must be an important nigger, an important nigger Republican AND WE DON’T KNOW HIM! Jesus, let’s don’t fuck up. Somebody find out who he is!

Nobody knew, except Mrs. Pat Boone. She saw me and came running over.

“Earl, what are you doing here?”

“Well, hi, Shirley. How’s Pat?”

“Wait, I’ll get him!” And she went and gets Pat and we’re shaking hands and hugging because I did a lot of work with him at Dot Records, and little Debbie’s hugging me and Shirley’s hugging me . . . . And the guests must have all breathed a great sigh of relief. Now we can find out who this nigger is. Everybody came swarming around Pat, who gave them the story.

“Oh! He’s an entertainment nigger! One of those kind, by God!

So now they all come up to me. “Oh, Mr. Palmer, are you having a nice time?” Mrs. Nixon, for one, very sweet lady.

“Yes, Mrs. President, I am, thank you very much.” I was feeling pretty good—I’d just smoked some weed with Pete Fountain’s band and Al Hirt. 

I met them all, I’m telling you, everyone but Nixon. John Dean was the only one asked me anything about what I did.

“Who are you going to be playing with?”

“Well, I don’t know yet. That’s why Mr. Costa had me come along.”

“You mean you’d be able to play with any of them?”

“Sure, that’s what we do all the time, play with anybody we have to.”

“Must be quite an experience.” . . . 

I was shocked when Sinatra exploded. They got their signals crossed and he introduced somebody, I can’t remember who, but Joey Heatherton came on. Wrong act. Sinatra hit the roof. I was in his dressing room with Costa and he storms in. “These cocksuckers don’t know what the fuck they’re doing!” I hadn’t realized until then what a rough guy this was. “Wait till my man gets in there, he’ll straighten this shit out.” I’m wondering, “What does he mean, his man? Nixon’s in.” You know what he was talking about? Agnew. He didn’t like Nixon worth a shit. That was his man, old Spiro.

————————

SEPTEMBER 25, 1973 — Midnight Special, . . . She came up the hall at NBC whe I was getting my shoes shined. I said, “Hello there.” Nothing wrong with saying hello.

She turned and said hi. Slowed down.

I said, “How are you? My, you look awful good.”

She said, “Thank you.” I got down off the shoeshine stand and talked to her. She was pretty, and very shapely. Had an Afro, not too big. One feature I liked about her, she had a little space between her teeth. That do something to you, too? She said she was there to be on some kind of talk show. 

I said, “What’s your name?”

“Angela,” she said. She never mentioned Davis. 

I suggested we meet for lunch. She said, “Yeah, that would be nice.” She didn’t turn a cartwheel, but she responded. I wouldn’t have imagined her to be receptive, and this is why I didn’t grasp who she was till long after. 

We met at the Carriage House, . . . I told her what I did and how busy I was. She wanted to know, “Do you have any control over what you do, over your work situation?”

“Control? Yeah, I take the job or I don’t.”

“Well, you’re rather prominent as a musician. You should be doing this and this and this,” and suddenly she’s talking all kind of politics. 

I said, “Wait a minute—why?”

She said, “Because there’s the exploiters and the exploited.”

I said, “Honey, nobody’s exploiting me, I’m just working.” I got a little indignant right there. She don’t know me from Adam and she’s already made a decision as to I’m being exploited and I don’t know what’s what in my job. I didn’t tell her she didn’t know what she was doing in whatever she did. What made her think because I flirted with her and hit on her that I was automatically an idiot? This had turned into something that had nothing to do with two people meeting and flirting, it was a real confrontation. 

She said, “Well, I can see there’s no way of reaching you. You’re just not prepared to hear what I have to say.”

“You’re damn right,” I said, and got up and walked away.

————————

It didn’t hit me right in the face. Maybe it should have. Ain’t like I wasn’t affected—I felt it in my pocket. Producers started letting groups record their own music, instead of session men doing it. . . . 

And then it finally hit me straight on, where you say, “Oh! This is why it’s happened and why it’s going to get worse.” If you remember, there was a movie called Chariots of Fire and one man, this Vangelis, did the whole score. Had electric drums, electric piano, had all this stuff. One man. And he got a Oscar. I said, “There you go. There’s the end of it right there.”

Recipe: Israeli-Palestinian Soup

Ingredients

  • Three major religions all descended from the same patriarch (Abraham / Ibrahim).
  • A small piece of land.
  • Limited fresh water supply.
  • A history of genocide going back thousands of years.
  • An equally long history of anti-Jewish hatred in historically Christian countries.
  • A shorter but still long history of Islamophobia in historically Christian countries.
  • A history of conquest and colonization going back hundreds of years.
  • Neighbouring nation-states all governed by one flavour or another of authoritarian leaders, and mostly populated by overwhelming numbers of oppressed poor people.
  • Islamist terrorism and anti-Semitism as a reaction against both authoritarian governments and the imposition of modern Western values.
  • Nearly a century of Palestinians being dispossessed and oppressed by Israeli colonization.
  • An impotent United Nations.
  • Big-power rivals taking sides as they continue their rivalry by proxy and jockey for access to the region’s petroleum.
  • Weapons manufacturers and arms dealers, making money.

Directions

  1. Stir until all ingredients are hopelessly mixed.
  2. Once set in motion (long ago), the mixture will continue to ferment and to spontaneously combust at irregular intervals.
  3. No further intervention is needed to continue the process. We are all in the soup.

Kenny Clarke: Jazz has become classical music.

Kenny Clarke:

Jazz has become classical music. We try to play some of the old things we used to do good, really good. I mean you have Beethoven specialists, people who play Beethoven all their lives, the same pieces over and over again. No one ever says to them, “Man, why don’t you change your repertoire?” So they play Beethoven. OK. I play Charlie Parker. I play Thelonious Monk—and I’ll be playing it all my life. The important thing is that it’s well done. If you play it good, it’s good.

—1973 interview, quoted in Klook: The Story of Kenny Clarke, by Mike Hennessey

Philly Joe Jones on Kenny Clarke: “I was so knocked out that I didn’t sleep at night.”

Kenny Clarke influenced me enormously. He totally revolutionized the world of the drums. He originated the way we play bass drum today—all those spaces. He taught us so much that we could progress a little further. When I first heard him play, I was so knocked out that I didn’t sleep at night. When I listened to Kenny I had the impression of being in the presence of the gods; that’s how impressed I was when I saw him play.

We lived together in New York for a time and that was a great opportunity for me. Kenny was my mentor. Max Roach and Art Blakey also expressed great feeling on the drums—and there are other great drummers like Elvin Jones and Roy Haynes. Some of them are excellent. But not like Kenny Clarke. Even Max, great as he is, doesn’t touch me as much.

—Philly Joe Jones in Jazz Hot, October 1985. Quoted in Mike Hennessey, Klook: The Story of Kenny Clarke.

Orwell: Why are beggars despised?

From Down and Out in Paris and London (1933), Chapter XXXI:

Then the question arises, Why are beggars despised? — for they are despised, universally. I believe it is for the simple reason that they fail to earn a decent living. In practice nobody cares whether work is useful or useless, productive or parasitic; the sole thing demanded is that it shall be profitable. . . . Money has become the grand test of virtue.

Sharp alterations and abrupt oscillations can be expected

“In view of the truly extraordinary record of the past few centuries, no one can say for sure that new and unexpected breakthroughs will not occur, expanding the range of the possible beyond anything easily conceived of now. Birth control may in time catch up with death control. Something like a stable balance between human numbers and resources may then begin to define itself. But for the present and short-range future, it remains obvious that humanity is in course of one of the most massive and extraordinary ecological upheavals the planet has ever known. Not stability but a sequence of sharp alterations and abrupt oscillations in existing balances between microparasitism and macroparasitism can therefore be expected in the near future as in the recent past.

“In any effort to understand what lies ahead, as much as what lies behind, the role of infectious disease cannot properly be left out of consideration. Ingenuity, knowledge, and organization alter but cannot cancel humanity’s vulnerability to invasion by parasitic forms of life. Infections disease which antedated the emergence of humankind will last as long as humanity itself, and will surely remain, as it has been hitherto, one of the fundamental parameters and determinants of human history.”

—Wm. H. McNeill, Plagues and Peoples (1976, 1998). Final two paragraphs.

A purposeful life: Stephen Kotkin

“Having a purposeful life is actually not that hard. You’re in a school, you’re in a workplace, you’re somewhere where you can affect other people in a positive way. You can lead a life that can show others what good values are, and you can lead a life that dedicates yourself not only to your own material well-being but to the well-being and development of others around you. And it can be on a humble scale. It can be in a small classroom or a small workplace, a small work team. And having a positive impact, even on one other person, gives far greater meaning to your own life, and is profoundly satisfying.”

—Stephen Kotkin

Source: The very tail-end (2h41m) of a long discussion from May 2022 of the Russian invasion of Ukraine. Slightly edited for clarity. Kotkin is a scholar (Princeton, Stanford) and historian who specializes in Russian history.