The world is a welter and has always been one; but though all the cranks and the theorists cannot master the old floundering monster, or force it for long into any of their neat plans of readjustment, here and there a saint or a genius suddenly sends a little ray through the fog, and helps humanity to stumble on, and perhaps up.
The welter is always there, and the present generation hears close underfoot the growling of the volcano on which ours danced so long; but in our individual lives, though the years are sad, the days have a way of being jubilant. Life is the saddest thing there is, next to death; yet there are always new countries to see, new books to read (and, I hope, to write), a thousand little daily wonders to marvel at and rejoice in, and those magical moments when the mere discovery that “the woodspurge has a cup of three” brings not despair but delight. The visible world is a daily miracle for those who have eyes and ears; and I still warm my hands thankfully at the old fire, though every year it is fed with the dry wood of more old memories.
—A Backward Glance (1934)
“The Woodspurge”
by Dante Gabriel Rossetti (1828 – 1882)
The wind flapp’d loose, the wind was still,
Shaken out dead from tree and hill:
I had walk’d on at the wind’s will,—
I sat now, for the wind was still.
Between my knees my forehead was,—
My lips, drawn in, said not Alas!
My hair was over in the grass,
My naked ears heard the day pass.
My eyes, wide open, had the run
Of some ten weeds to fix upon;
Among those few, out of the sun,
The woodspurge flower’d, three cups in one.
From perfect grief there need not be
Wisdom or even memory:
One thing then learnt remains to me,—
The woodspurge has a cup of three.