Author: Kaedyn

Pw 3 – short story based on an urban legend

Deep in the snow-clad wilderness of Norway’s Jotunheimen mountains, where the wind howled like the laments of lost souls, whispered an ancient creature—a Wendigo. While the Wendigo is commonly associated with North American folklore, Norwegian elders said that such a monster once roamed their cold heights, cursed by hunger and loneliness.

Years ago, a hunter named Stian entered into Jotunheimen on his own. The villagers warned him of the cursed fjell, where lengthy winters capture travelers and force them to commit desperate things to survive. Stian laughed at their tales. He was proud of his resilience, knowing that his expertise and provisions would get him through.

The first week passed without incident. Stian discovered deer and rabbit trails, but the air became colder and thicker. Storms devastated the peaks by the second week, forcing him to seek safety in a small, abandoned hytte. Snow piled heavy, keeping him inside. His resources diminished. Hunger gnawed at his gut, and his thinking deteriorated with each passing day.

On the tenth evening, he heard a knock. Stian, weak and shivering, opened the door, expecting to find another stranded soul. Instead, a figure stood there, strangely tall and shrouded in darkness. Its eyes flashed a strange blue, and its voice was as frigid as the winter wind.

“You called me,” it murmured.

Stian staggered back. He hadn’t called anyone, but his thoughts were filled with truth. In his desperation, he cursed the gods for leaving him and his agonizing hunger.

The skeletal hand of the creature brushed Stian’s face as it entered. It said, “I can make your pain go away.” “But hunger comes at a cost.”

Desperation tainted Stian’s thoughts. He agreed. With a smile that resembled ice shards, the Wendigo put its hand over his chest. He felt a terrible, never-ending craving as an intolerable cold ran through him.

The following day, a gaunt and hollow-eyed Stian was discovered wandering the mountains. His once-steady voice had become a raspy whisper as he described an insatiable desire for human flesh. It was too late, but the villagers ran away in fear. Stian had lost his humanity. Stalking the peaks in perpetual agony, he had transformed into Jotunheimen’s Wendigo.

Hikers still report hearing his wailing cries on stormy nights. Furthermore, anyone who goes too far might spot a shadow among the trees, waiting and watching—always hungry.

 

IRJE2- IT by Stephen King

It, a sprawling epic of horror by Stephen King, combines terrifying terror with nostalgic childhood memories. In the novel, a group of misfit friends known as the Losers’ Club face a shape-shifting creature that feeds off their worst anxieties. King skillfully conveys the brittleness and tenacity of youth, crafting a story that is as much about maturing and friendship as it is about facing evil. Derry, Maine, turns into a character in and of itself, its eerie past and dark alleys adding to the sense of dread. The encounter between young Georgie and Pennywise the Dancing Clown in a storm drain early in the book is among the most terrifying:

“‘Hiya, Georgie!’ the clown said brightly. ‘Aren’t you gonna say hello?’ Georgie stared into the clown’s blue eyes, and it smiled. No, he thought, that’s not right. Its eyes should be dancing, but instead they were dead, like the eyes of a shark. He felt the smile grip his insides and twist them.”

King’s creativity is perfectly captured in this passage, which layers the scene with a sense of creeping inevitability while transforming an apparently innocent character into the stuff of nightmares.

Reflection on the two essays

William James’s The Moral Equivalent of War is the first essay I’ll talk about. In this essay, James considers how, in spite of its cruelty, war can help people develop virtues like courage, self-control, and camaraderie. He makes the case that despite war’s destructive nature, it can also be used for good. According to him, our ancestors’ aggression is a natural aspect of who we are and cannot be eradicated. James argues that without war, life might seem pointless and dull. In order to maintain order and direction, he acknowledges that maintaining some military-like discipline would be necessary to achieve peace, but he also characterizes war as an inevitable aspect of human existence.

Eric MacKnight examines whether war is required to channel what he refers to as “hyper-masculinity” in his essay Can Real Men Live in a Peaceful Society? The idea of a powerful, fearless warrior who thrives on conflict and conventional male roles is what this alludes to. This is comparable to “hyper-femininity,” which MacKnight describes as a stereotype of a seductive but unfaithful woman. He asserts that a new definition of masculinity has emerged as a result of contemporary shifts, combining strength with an emphasis on the home and family. MacKnight agrees with James that mandatory military service could teach discipline and provide a constructive outlet for young men’s aggressive tendencies. He notes that chivalry was once employed to restrain male aggression, but as these principles wane, he wonders if war and bloodshed will always be part of being human

PW#2, Tender is the flesh

Agustina Bazterrica’s eerie dystopian novel Tender Is the Flesh explores the extremes of social desensitization and dehumanization. The book centers on Marcos, a worker at a meat processing plant, in a world where human flesh is grown and eaten and animal meat is tainted. Readers are drawn into a terrifying world where morality and ethics are forsaken in order to survive thanks to Bazterrica’s unnerving and compelling prose. She implores readers to consider difficult issues regarding humanity, empathy, and the limitations of moral compromise through vivid, disturbing images.

With a detached prose that reflects the numbness of its surroundings, the novel is expertly unnerving. Because it graphically explores violent themes, it is not for the fainthearted, but for those who are prepared to endure its horrors, Tender Is the Flesh is a profoundly impactful and unforgettable book. It is a potent critique of the perils of extreme commercialization and the detached nature of modern society.

IRJE1-The Haunting Of Hill House

The Haunting of Hill House by Shirley Jackson is nothing short of a masterpiece in psychological horror. It’s not just a haunted house story—it’s an intricate exploration of the human mind, wrapped in a creeping, atmospheric narrative that lingers long after you’ve closed the book. Jackson’s writing is profoundly unsettling, creating tension through subtleties and leaving much to the reader’s imagination, which makes the horror even more effective.

The true genius of this novel lies in its ambiguity. Hill House itself feels alive, but is it truly haunted, or are the characters’ minds warping under its sinister influence? Eleanor, the protagonist, is a fascinatingly unreliable character, and watching her unravel as the story progresses is both heartbreaking and terrifying. Jackson masterfully blurs the lines between reality and madness, leaving you questioning what is truly real.

The house, with its distorted architecture and eerie atmosphere, becomes a character in its own right, amplifying the fear and claustrophobia. Jackson’s prose is elegant and chilling, creating a palpable sense of dread without resorting to overt shocks or gore. She understands that true horror often lies in the unknown, in what we cannot see or fully understand.

The Haunting of Hill House is a brilliant, slow-burn psychological thriller that taps into deep, primal fears—loneliness, loss, and the fragility of the human psyche. It’s an intelligent, sophisticated horror novel that continues to influence and inspire the genre. Whether you’re a fan of horror or just great literature, this book is a must-read. Jackson’s ability to evoke terror while simultaneously crafting a poignant character study is simply incredible.